Well, I think we can allow ourselves to enjoy the moment. Michel Hazanavicius’s The Artist has become the first silent film to win the best picture Oscar since Wings. It also carried away best actor (for Jean Dujardin), best director, best score and best costumes. Martin Scorsese’s not-quite biopic of Georges Méliès, Hugo, was the other big story of the night, winning the same number of awards, including heavyweight gongs for cinematography and art direction as well as three technical awards: best sound mixing, best sound editing, visual effects. I’d like to think it doesn’t take anything away from Scorsese to suggest that his awards were also a tribute to Méliès himself, in recognition of his beautiful, magic films.
We all know that Hollywood loves films about the movies, and there are those who love silent film who don’t necessarily love these two films – but there is no doubt that last night was a triumphant one for fans of the silent era. Let’s not forget that the Buster Keaton-inspired The Fantastic Flying Books of Mr Morris Lessmore triumphed in the best animated short category too. And the 2012 Academy Awards capped a joyous year in which early cinema was talked about more than it had been for years.
Here’s a quick look back at how it was reported on Silent London: