The Manxman (1929)
The Manxman (1929)

Often referred to as Hitchcock’s final silent, because Blackmail was also shot as a sound film, The Manxman seems to be growing steadily in popularity, and with good reason. It’s a romance, yes, another Stannard adaptation of a hit novel by Hall Caine in fact, and I’m far fonder of it than Hitchcock professed himself to be.  “It was a very banal picture,” he told Truffaut. “It was not a Hitchcock movie.”

Well, that’s his opinion. The Manxman lays out a love triangle, with Anny Ondra (Kate), Carl Brisson (Pete) and Malcolm Keen (Philip) at each corner. Poor Brisson gets the fuzzy end of the lollipop again, when his best friend takes care of his girl while he is away at sea. The setting is a fishing village on the Isle of Man. Pete is a fisherman, but Philip, who wants to become a judge like his father and his father’s father, may have more to lose by the liaison than his friend does.

Anny Ondra in The Manxman (1929)
Anny Ondra in The Manxman (1929)

Anny Ondra is fantastic here: mesmerising and sensual. One moment a flirtatious femme fatale; the next a confused young woman. It’s a wonderful rehearsal for the performance she gives in Hitchcock’s next film, Blackmail. She’s gorgeous too, but perhaps not as gorgeous as the stunning coastal scenery. The landscape towers over, and frames the lovers, as if to say they’re trapped by their destiny, and by the place they come from, both. It’s not really the Isle of Man, by the way, but Cornwall.

While this isn’t Hitchcock’s final silent film, it’s worth taking a moment to enjoy, and appreciate his virtuoso work here. The Manxman remains a testament to Hitchcock’s achievements in silent film-making, and it’s no wonder that decades later he would still refer disdainfully to “photographs of people talking”.

Synopsis: 

In a small Isle of Man fishing community, two men, friends since childhood, find themselves in love with the same woman. Rejected by the girl’s father, Pete leaves to find his fortune in Africa, and Philip sees his chance with Kate.  (BFI Screenonline)

Hitchcock moment: Sometimes good news feels like bad news, especially when there’s a dark blot on the horizon.

Watch out for: Windows. And how much they can hide.

Links worth clicking:

The Manxman screens this summer as part of the BFI’s Genius of Hitchcock season. More information here.

UPDATE: The Manxman: London film festival review