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Victory for Napoléon: cinema and DVD/Blu-ray release at last

Hold on to your three-cornered hats. This may well be the news you have been waiting for since … ooh 1980 or thereabouts. BFI and the Photoplay have announced jointly that Napoléon, Abel Gance’s silent masterpiece, is coming to a screen near you – whether that is a concert hall, cinema, TV or computer. We all have three-screen TVs right?

So you can see Napoléon (1927) with the Philharmonia orchestra at the Royal Festival Hall this autumn – and many of us know what a treat that can be – but it will also be available to buy on DVD/Blu-ray, to stream on the BFIplayer and theatrically released in cinemas too. And make no mistake, this is the Kevin Brownlow restoration with Carl Davis’s epic score – the definitive five-and-a-half hour version of Napoléon that you really need in your life.

And while the live and cinema screenings will be magical experiences, I am getting a little thrill from the idea of being able to rewind sequences from the film and look at them again, and more closely. The snowball fight, for example! As that occurs at the the beginning of the movie, it could take me some time to get right to the end …

Napoléon (1927) Photograph: BFI
Napoléon (1927) Photograph: BFI

I won’t say too much more now, as we will no doubt be talking about Napoléon all year, which I am hugely looking forward to. But I do want to share some details about the restoration, and the people who made it possible. For example, we have been told that the digital process of restoration has cleaned up some damage in the 35mm print and allowed for greater capacity to recapture the tinting and toning of the original film.

This project has been achieved thanks to major work undertaken by the experts of the BFI National Archive and Photoplay Productions working with Dragon DI post-production in Wales, and to the generosity of Carl Davis and Jean Boht, who have made possible the recording of the score by the Philharmonia. The original restoration of the 35mm film elements in 2000 was funded by the generous support of the Eric Anker-Petersen charity, with the support of many archives around the world but especially the Cinémathèque Française and the Centre Nationale de la Cinématographie in Paris.

The film has been entirely re-graded and received extensive digital clean-up throughout, all of which offers significant improvements in overall picture quality. This is the most complete version of the film available, compiled by Academy Award™-winning film-maker, archivist and historian Kevin Brownlow who spent over 50 years tracking down surviving prints from archives around the world since he first saw a 9.5mm version as a schoolboy in 1954. Brownlow and his colleagues at Photoplay, initially the late David Gill, and then Patrick Stanbury, worked with the BFI National Archive on a series of restorations. The film version has been screened only 4 times in the UK since the year 2000 at memorable events with full orchestra performing the original score by composer Carl Davis.

Continue reading “Victory for Napoléon: cinema and DVD/Blu-ray release at last”

Bonus silent movie emoji quiz: win a pair of tickets to Seventh Heaven

Janet Gaynor and Charles Farrell in Seventh Heaven (1927)
Janet Gaynor and Charles Farrell in Seventh Heaven (1927)

Silents-wise, this screening is surely the highlight of the BFI Love season: Frank Borzage’s gorgeously romantic Seventh Heaven (1927), with a brand new score by KT Tunstall, Mara Carlyle and Max de Wardener.

Seventh Heaven is a classic from the golden years of Hollywood silent cinema, with unforgettable performances by Janet Gaynor and Charles Farrell as star-crossed lovers in a gritty, but somehow still beautiful Paris. Back in 1927 Mordaunt Hall was moved to laughter and tears by this film, saying: “It is obvious that this subject was admirably suited to the screen, but it should also be said that Frank Borzage in directing this production has given to it all that he could put through the medium of the camera.” 

It’s true. There is more emotion in 10 minutes of this weepie than most entire films, so this live music event should be unforgettably immersive. Here’s what the BFI has to say about the event:

Sonic Cinema has teamed up with the formidable talents of British musical powerhouses KT Tunstall, Mara Carlyle and composer Max de Wardener to present a brand new BFI-commissioned score to Borzage’s classic. Perhaps the most sublimely lyrical of all the silent-era romances, this tale of transformational love sees Charles Farrell’s sewage worker and Janet Gaynor’s street waif rise above poverty and war to be together. Martin Scorsese’s observation that Borzage’s films unfold in ‘lover’s time’ was never more apt, and the tender emotions Borzage captures build to an unforgettable, transcendental climax.

Continue reading “Bonus silent movie emoji quiz: win a pair of tickets to Seventh Heaven”

Make More Noise! Suffragettes in Silent Film DVD review: watch the world change in front of your eyes

Make More Noise!
Make More Noise!

Make more noise! More than a silent film? More noise than an Edwardian lady? No, more noise than the patriarchy.

Make More Noise! is the title of boisterous new compilation from the BFI, an anthology of films related to the British campaign for women’s suffrage. It contains newsreels of protests and personal appearances by the leaders of the movement, as well as short fiction and actuality films that reveal the changing role of women in British society. In the second category, you’ll spot Tilly films, and footage of women working in munitions factories and field hospitals. It’s a fascinating mix, beautifully programmed by Bryony Dixon and Margaret Deriaz and superbly scored by Lillian Henley.

This anthology pretty much had me at hello – the combination of early cinema and feminism is right up my street. But I’d like to think that Make More Noise! holds an appeal for people who aren’t pre-sold on the content that way. If you enjoyed Sarah Gavin’s very moving Suffragette, this programme gives you a more complete picture of the world of the characters in that movie – these are the films they would have seen at the cinema, the ideas they would have discussed at the dinner table, and just possibly, a glimpse of their future.

protesting-suffragettes-early-1900s1
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Continue reading “Make More Noise! Suffragettes in Silent Film DVD review: watch the world change in front of your eyes”

Nosferatu: back on Blu-ray

Nosferatu (1922)
Nosferatu (1922)

Name: Nosferatu.

Age: 93 years young.

Remind me which one that is? Oh come on. Nosferatu is a classic – FW Murnau’s free-floating Dracula adaptation is one of scariest films of all time, and one of the most beautiful too.

Is that the one with hunchbacked shadow lurching up the stairs? Bingo.

Surely it’s not still hanging around? Nosferatu is back baby, and now it’s on Blu-ray too, courtesy of a new release from the BFI.

Oh, Nosferatu on Blu-ray? I got that already. Really?

Well, no. I saw that Masters of Cinema brought it out two years ago but I hadn’t got around to buying it yet. Ah I thought so. Well you could buy this version instead.

Nosferatu (1922)
Nosferatu (1922)

I might. Both releases are Blu-ray updates of each label’s previous DVD release of the film.

I’m all about Blu-ray. What’s the difference between the two packages though? The extras are different, and the score. MoC used the original theatrical score, and the BFI has used a more modern, but also orchestral, score by James Bernard. And yes, both are available in stereo and 5.1.

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Searching for Silent London: 10 highlights from the Britain on Film archive

Covent Garden Porters (1929)
Covent Garden Porters (1929)

Attention amateur historians and nostalgic souls. The BFI has launched its Britain on Film project on the BFIPlayer, comprising around 2,5000 pieces of archive footage. It’s an incredibly easy way to lose an entire afternoon, or more of your life. But fascinating too. Simply type in a location, a decade or a subject, and the BFIplayer will throw some digitised (and contextualised) film right back at you.

I learned a lot about the fashions on sale in the local Co-Op in my hometown in the 1930s, and the story of how my High School came to have a swimming pool in the 1950s (sadly it had long since been filled in before I started there). Moving to my hood in London, I was offered footage of former local MP Clement Attlee talking about William Morris and socialism in the town hall. Not a bad selection at all.

So what of “Silent London”? At this link, you can find all the footage labelled “London” from 1890-1930 in the Britain on Film archive. That comes to 232 films, ranging in length from a few seconds up, but still more than a mouthful, even for someone as greedy as me.

But I did have a poke around, and I do already have a few favourites. Here are ten to try:

Continue reading “Searching for Silent London: 10 highlights from the Britain on Film archive”

On Yer Bike: a History of Cycling on Film DVD review: rattling wheels and retro charm

Lady Cyclists (1899)
Lady Cyclists (1899)

London teems with cycles and cyclists. And though the sight of a pedal bike overtaking a double-decker always makes me chew my nails, this has got to be a good thing. While most of us are too sedentary, and too reliant on fossil fuels, cycling looks like a miracle cure for the whole human race. Heck, I have even been to a silent movie screening powered by stationary bikes hooked up to a generator. There may be something magical about these contraptions.

Which brings me to On Yer Bike, the BFI’s new archive compilation DVD of cycling throughout the years. Despite the exertions of Bradley Wiggins and co on their sleek carbon frames, cycling is decidedly retro. You couldn’t reach for a more solidly Edwardian image than a lady in a shirtwaist perched on a bone-shaker or a moustachioed gent atop a penny-farthing. And who doesn’t associate biking with their childhood? The pride when you lose your stabilisers; the terror when your parent lets go of the back of your tiny bike for the first time; a gleaming new cycle on your 11th birthday; or roaming around the local lanes with your best friends and a bag of sweaty sandwiches?

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London on film at BFI Southbank: walking these silent streets

Flowers of London
Flowers of London

Just a quick note to let you know about a season coming up at BFI Southbank, which promises to contain a few silent treasures. London on Film: The Changing Face of London runs from 1 July to 9 October 2015. I’m taken by the idea of a film programme devoted to our favourite city, and hoping that the BFI will make the most of the opportunity to show some great silent dramas, and actuality footage.

Here’s the official blurb:

The BFI present a three month season which celebrates London’s stories through a century of extraordinary film making from archive clips to more modern cinematic adventure. the programme will include over 200 films, from classic features to home movies, shot in London over the last 120 years. For Londoners this season will show the city they know and love, as they may never have known it before.

Already slated are screenings of Anthony Asquith’s Underground and A Night in Victorian and Edwardian London with Bryony Dixon. At the latter event, the BFI’s silent film supremo will introduce archive clips of the capital dated 1881 (!) to 1910. The evening will also include a screening of Joseph Ernst’s captivating short film inspired by Mitchell & Kenyon, Londoners.

Cosmopolitan London (1924)
Cosmopolitan London (1924)

UPDATE: Over on Facebook, BFI head curator Robin Baker tells us we can expect films including: “Passmore family films from 1902 (part of London Home Movie Night), The Right to Live (1921), London Old and New (1924), Cosmopolitan London (1924), The Fugitive Futurist (1924), The Marriage of Miss Rose Carmel to Mr Solly Gerschcowit (1925) and Piccadilly (1929)”. Plus, the sound version of High Treason (1929)

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Charlie Chaplin: the Mutual Comedies DVD/Blu-ray review

Charlie Chaplin in One AM (1916)
Charlie Chaplin in One AM (1916)

This is not just a box set, more a lifestyle choice. Anyone who wants to spend a couple of hours laughing and crying with Chaplin can watch one of the features. But this new collection of the short films that Chaplin made at the Mutual Company in 1916 and 1917 offers a longer-lasting relationship with London’s favourite silent son.

Even at first glance, the BFI’s latest Chaplin release is a tempting treasure. The Mutual period includes some of Chaplin’s best and funniest shorts for one thing – the drunken ballet of One AM, the social bite of The Immigrant and Easy Street, the glorious mayhem of The Adventurer and The Cure. For the first time in the UK, all 12 Mutual films are presented on Blu-ray – and they have been newly, and immaculately restored too. These discs are a pleasure to watch. It beggars belief that these films are approaching their centenaries, because everything on screen is beautifully clear and impressively filmic, with rich detail and velvety blacks. Comedy this timeless defies age, and now the image of that comedy is every bit as immortal. I don’t have the recent Flicker Alley release to compare, but the word is that this improves on the quality of that set.

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Two tickets for the price of one: the DW Griffith season at BFI Southbank

DW Griffith on set
DW Griffith on set

Last month we previewed the blockbuster DW Griffith taking place at BFI Southbank in June. This week, tickets went on sale! But before you start flashing your debit cards around, Silent London can save you a little cash, with a two-for-one ticket offer. You could buy twice as many tickets, or even bring a friend along, free, and share the greatness of Griffith at a bargain rate.

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London Film Festival Archive Gala: instant expert

The Battles of Coronel and Falkland Islands (1927)
The Battles of Coronel and Falkland Islands (1927)

Name: The Battles of Coronel and Falkland Islands (1927).

Age: 87 years old. The clue’s in the number in brackets.

Appearance: Shiny and new.

Sorry, that doesn’t make sense – I thought you said it was 87 years old. The Battles of Coronel and Falkland Islands may be knocking on a bit, but it has been lovingly restored by the BFI and from what we gather, it’s looking pretty damn sharp. Just take a look at these stills.

Great, where can I see this beautiful old thing? At the Queen Elizabeth Hall on 16 October 2014 – it’s being shown at the London Film Festival as the Archive Gala. It will then be released in cinemas nationwide, and simultaneously on the BFIPlayer …

Blimey. And then it will be coming out on a BFI DVD.

Wonderful news, I’ll tell all my friends. Really?

No. I’ve never heard of it. Fair enough. You could have said that in the first place.

I was shy. Don’t worry, the BFI calls it a “virtually unknown film” on its website.

Phew. But you should have heard of the director, Walter Summers.

Rings a bell … He’s a Brit. Or he was, rather. And he was quite prolific, working in both the silent and sound eras. “I didn’t wait for inspiration,” he once said. “I was a workman, I worked on the story until it was finished. I had a time limit you see. We made picture after picture after picture.”

Continue reading “London Film Festival Archive Gala: instant expert”

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