Following on from February’s double-bill of Berlin, Symphony of a City and Manhatta, the Barbican brings us a triple-bill of films about French cities. The second City Symphony event comprises À Propos de Nice (Jean Vigo, 1929), Rien Que Les Heures (Alberto Cavalcanti, 1926) and Paris Qui Dort (René Clair, 1923), with piano accompaniment from Neil Brand.
Vigo’s dawn-to-dusk documentary uses montage to celebrate the vitality of Nice, but also to highlight social divides in the glamorous resort. Cavalvanti’s Paris film Rien Que Les Heures is an experimental attempt to paint a real portrait of the city, as opposed to the gloss of paintings and picture postcards. In René Clair’s surreal Paris Qui Dort, a Parisian is shocked to discover that everyone in the city has fallen into a trance – apart from him.
The City Symphony – Part 2 is on Sunday 13 March at 4pm. Tickets are available from the Barbican website and box office on 0845 120 7500. The third event in the strand, a screening of Dziga Vertov’s Man with a Movie Camera (1929), will take place on 29 May. Details to follow.