UPDATE APRIL 2012: Eureka Entertainment has announced a UK DVD release of Moroder’s Metropolis for 23 July 2012
For some people, the Complete Metropolis will never be enough. They want more. To be precise, they want Pat Benatar. And those people are about to be very, very happy.
Inexplicably to many of us, Kino Video is following up its recent release of Fritz Lang’s restored, almost-full-length masterpiece with a DVD/Blu-Ray issue of the version that musician Giorgio Moroder made in 1984. If you don’t know this cut, believe me, it’s not for the purists. For a start, it’s only 80 minutes long. Moroder ran the film up to 24fps, sped it up some more by removing the initertitles and replacing them with subtitles, tinted the film and added a contemporary rock soundtrack. Yes, Freddie Mercury, Bonnie Tyler, the aforementioned Benatar and Adam Ant are all there – if the 80s revival is real, this should be a smash hit.
But there’s more, there’s going to be a theatrical release too. Kino is planning a limited release for the Moroder Metropolis, starting with midnight screenings at the Landmark Sunshine cinema in New York City, on 14 and 15 October 2011 and visiting other US cities over the following two months. The US DVD/Blu-Ray release should make its appearance on 15 November.
The thing is, the Moroder Metropolis is more than just a cult favourite. For a great number of people, it was their first introduction to the world of silent cinema – or at least the first silent film they really enjoyed. And heck, lots of people like the music too. It may not be an authentic silent film experience, but the other versions of Metropolis kicking around when it was made were hardly the real deal either. The film had been heavily cut on its release – so much so that Lang himself refused to watch it – and was languishing in an archive unloved for years. There was still a lot of footage missing, and as now, the intended frame speed was a mystery. So you could argue that Moroder did the film more good than harm, and that we wouldn’t have the subsequent loving restorations without the work he did to make Metropolis popular.
We know that London is home to hundreds of fans of what we call “cult cinema”, the weird and wonderful stuff that is at the heart of the Scala Forever programme, or on show at film clubs all over the city. So I’m assuming we will see some screenings of the Moroder Metropolis in our neck of the woods. It seems like a natural next step doesn’t it? Particuarly if the demand is there.
Would you like to see the Moroder Metropolis on the big screen here in London? Are you keen enough to book a ticket to New York? Or is this travesty a crime against cinema that is best forgotten? Let me know what you think.