You can’t throw a plate in London this month without hitting a screening of a Russian silent film, what with Battleship Potemkin and the BFI’s Kino season, and the Barbican is getting involved too. The final episode in the cinema’s City Symphony strand is Dziga Vertov’s weird and wonderful Man with a Movie Camera. It’s a masterpiece of montage, with a whimsical sense of humour and a remarkable rhythm.
Dziga Vertov’s ‘city symphony’ creates a montage of daily life in Moscow (with some scenes shot in Odessa) and emerged as one of the most innovative and experimental films of the silent era. Stunning photography by Vertov’s brother Mikhail Kaufman depicts the pulse and energy of the city in the late 1920s, the people at work and play, and the machines that make the city tick. A landmark in avant-garde cinema.
The film will be shown on 35mm film, and will be accompanied by a live score from In the Nursery, a synth-based band from Sheffield which has soundtracked several silents. Here’s a review of their Man with a Movie Camera score from a performance in 1999.
Comprised of relatively lush, ‘intelligent’ techno, the music adds a contemporary feel to a film whose joyous celebrations of modernity in all its forms still seems fresh… Seeing the film for the first time, I found it almost overwhelming. Although In the Nursery’s techno is less ‘industrial’ than it could have been, its unashamed populism does Dziga Vertov proud.
Man with a Movie Camera screens at 4pm on Sunday 29 May 2011 at the Barbican Arts Centre. Tickets cost £10.50 or £8.50 online or £6.50 for members. You can buy them here.