Latitude is a damn cool festival, bringing together music, theatre, poetry, comedy and multicoloured sheep in one beautiful package. Now they’ve have added silent film to the deal, and it’s pretty much irresistible. The wonderful people at Birds Eye View are bringing some of the highlights of this year’s festival to the Suffolk countryside, putting on a spectacular multimedia show at Latitude’s Film and Music Arena. You might have seen some of these performances at the Birds Eye View festival in March, but for those of us who missed them is a very welcome opportunity. This is what they’ve got lined up:
An a cappella choral score from Grammy award winner Imogen Heap to the first ever surrealist film ‘The Seashell and the Clergyman’ (Germaine Dulac, 1927) with the Holst Singers; Micachu and an old cassette player to Lotte Reiniger’s ‘Hansel and Gretel’ (1955); haunting vocalist and multi-instrumentalist Seaming accompanying Maya Derren’s ‘Meshes of the Afternoon’ (1943) and Tara Busch’s compelling performance alongside Lois Weber’s early thriller ‘Suspense’ (1913). In addition, hotly tipped Blue Roses is re-scoring classic ‘Dr. Jekyll and Mr. Hyde’ (1920) and fashion photographer and filmmaker Wendy Bevan is bringing a dark 1930s cabaret inspired performance with her new band Temper Temper.
If those films and artists are unfamiliar to you this review of the Sound & Silents night at the Southbank Centre by Bidisha gives a real flavour of what you can expect. She’s pretty enthusiastic about it. And rightly so: I’m a real fan of Tara Busch’s spooky, icy score for Weber’s Suspense, in particular. And you can find out more about Blue Roses, who will be scoring Dr Jekyll and Mr Hyde, here.
This year, Latitude Festival is headline by The National, Paolo Nutini and Suede. You can find out more about the festival, including how to buy tickets, here on the official website.