The London Film Festival‘s archive gala is rapidly becoming a highlight of London’s silent film calendar. This year continues the theme, presenting Miles Mander’s edgy melodrama The First Born in the Queen Elizabeth Hall on the Southbank, with a new score by Stephen Horne. I spoke to Horne about his composition, and to Bryony Dixon of the BFI about the film, and wrote this short piece for the Guardian film blog.
Advertisements
