The Genius of Hitchock: celebrating cinema’s master of suspense

The BFI has asked me to share some information about the forthcoming silent Hitchcock screenings with you  – so voila!

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The Genius of Hitchcock
The Genius of Hitchcock
Rescue the Hitchcock 9

Our major campaign to restore all nine of Hitchcock’s surviving silent films.

Celebrating Cinema’s Master of Suspense
Gala screenings of newly restored British silent films with live scores

Starting with the London 2012 Festival, the BFI is exploring Alfred Hitchcock’s complete works with a celebration which includes gala screenings of the silent classics and a full retrospective at BFI Southbank.

One of the best British films of the 1920s, Hitchcock’s ‘Blackmail’ is a true masterpiece of the silent era. A young girl engaged to a stuffy policeman is enticed up to an artist’s studio, laying herself open to the blackmail of the title. Presented outdoors at the British Museum – the location of the film’s thrilling chase sequence – with a specially arranged score by composer Neil Brand, this is a once-in-a-lifetime film experience.
Book now

The Ring
When boxer Bob Corby hires Jack Sander to be his sparring partner, he has no idea that he will become smitten with Mabel, Jack’s beautiful wife. A love triangle emerges in which the bouts in the ring become more than gamely sparring, leading up to the championship fight (famously set in the Albert Hall) between the two men for the love of Mabel. Features a brand new score by Soweto Kinch, multi-award winning British jazz alto saxophonist, hip hop artist, rapper and MC.
Book now

The Lodger
A strange lodger may be a serial killer in Alfred Hitchcock’s first suspense thriller. With a new score by Nitin Sawhney, performed live with the London Symphony Orchestra at Barbican Hall. Nitin Sawhney’s score for The Lodger is commissioned by independent film distributor Network Releasing in partnership with the BFI.
Book now

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2 thoughts on “The Genius of Hitchock: celebrating cinema’s master of suspense”

  1. Blackmail is now sold-out according to the BFI box office, but the British Museum is trying to see if they can fit more people (health & safety regulations).

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