Moroder’s Metropolis – the people have spoken

Metropolis, circa 1984
Metropolis, circa 1984

Ach, it’s no fun being a silent cinema purist sometimes. And while I wouldn’t necessarily describe myself that way very often, I was pretty sure I was in the fun-hating minority when the UK DVD release of Moroder’s Metropolis was first announced. Just to make sure, I ran a poll here on Silent London to find out what you guys think.

If you need to refresh your memory, Giorgio Moroder’s version came out in 1984 and looks very different to the latest restoration. Working with the most complete version of the film he could find at the time, Moroder added a rock soundtrack, washed some different scenes with bright tints and made the whole thing run faster by removing the intertitles and using the text for subtitles. It’s a strange beast, and perhaps needless to say, a cult favourite.

You ruddy love it. Well, some of you do. Quite a few of you like it, and while there’s a solid 20% with me, arms crossed and tutting in the outraged camp, you have convinced me to give Moroder’s Metropolis another go. What’s the worst that can happen? I first saw it many moons ago, on a worn-out VHS borrowed from the college library. Since then, I’ve seen the beautiful new restoration of the original film, and my appreciation for Metropolis has only grown. I hope I have lightened up a little, and I have even learned to play a Pat Benatar song on Guitar Hero.

So I’ll definitely be taking a look at the DVD when it is released on 23 July this year. Apparently it’s arriving in a smart “steelbook” edition, and interestingly, you’ll be able to stream it on demand from too.

In 1984, Oscar-winning composer Giorgio Moroder (Top GunMidnight ExpressFlashdance) reintroduced Fritz Lang’s 1927 science fiction epic METROPOLIS to a new generation of moviegoers. He colourised scenes, added new subtitles, plus a throbbing rock soundtrack to Lang’s iconic imagery. Featuring songs from some of the biggest stars of the early MTV era: Freddie Mercury, Pat Benatar, Adam Ant, Bonnie Tyler, Loverboy, Jon Anderson and others, it became a dramatic vehicle for Moroder’s visionary music and a beautiful retro-futurist timepiece. Through faithfully maintaining Lang’s intriguing and timeless storyline, today, it is this version of METROPOLIS that first comes to mind for millions around the world.

 Yeah, that last sentence does still grate a little… watch this space.

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