Is there a more pleasant sounding word than “symposium”? I think not, even if like me you are just old enough to remember the mid-90s punk pop band of the same name.
So it is with a satisfied, cat-like smile, that I share the news of a symposium, coming to these parts in April. it’s the British Silent Film Festival Symposium, if you hadn’t guessed, and it will take place at King’s College London, on 28 and 29 April. Two days? Yes, one day (the 29th, a Friday) will be given over to papers, the afternoon and evening of the previous day will be devoted to screenings of British silent films. Like, ooh I don’t know, The Somme (1927), perhaps? Surely not. Well, you didn’t hear it from me …
But of course, the BSFF Symposium is a partner to the BSFF itself, so whatever is shown, and discussed, at the event will relate to “the opportunity to re-assess film-making in Britain between 1895 and 1930”, and offer a chance to “consider the achievements and the key debates brought to light by the festival, and to discuss the new directions that future research may take”.
If you are a little highbrow you’ll be especially pleased to know that the likelihood of biscuits is: good to high. If you are really clever, you’ll want to also know how to propose a paper for this delightful symposium. Hold on for the details of the call for papers, courtesy of Dr Lawrence Napper, the supremo of this symposium:
200-word proposals for 15 minute papers are invited on any aspect of film-making and film-going in Britain from 1895-1930. We encourage submissions from early career researchers and independent scholars, and this year especially welcome papers which respond to the themes of the most recent festival, and the current AHRB project on ‘British Silent Cinema and the Transition to Sound’.
Proposals should be sent to Lawrence.1.Napper@kcl.ac.uk by 29 March 2016. See you there!