Were you at the Barbican for the London Film Festival Archive Gala last year? It was a really special evening: the premiere of the BFI’s immaculate new restoration of Indian-Anglo-German romance Shiraz: A Romance of India with a stunning new score composed by Anoushka Shankar. I was there, and you can read my review here.
However, whether you missed out, or you just want to relive the magic, there is good news. Shiraz gets a theatrical release very soon – it lands in cinemas from 2 February 2018. If you want to take Shiraz home, you’ll be able to buy it on DVD/Blu-ray on 26 February too. You’ll also be able to watch Shiraz on the BFI Player, and BBC4 will broadcast a behind-the-scenes documentary on the recording of Shankar’s ambitious score at some point during the year.
Last night I had a sneak preview of the DCP of Shiraz – the digital version that will be shown in cinemas and appear on disc, with the recorded score. A repeat viewing confirmed that this is an especially gorgeous film, with beautifully composed frames full of detail. The first time round I was distracted by the leading players, but on second viewing the landscapes in the background caught my eye, not to mention a donkey scratching his neck on a tentpole, a potter spinning his wheel. And sorry, Hollywood, but all your grandest designs can’t compete with the stunning architecture in this film. Shankar’s score, too, is full of surprises, bold decisions and graceful melodies. The range of instruments and styles in this piece of music is really breathtaking, and yet it’s always sensitive to the film – a really accomplished silent movie score.
There may be more good news too – although you’ll have to cross your fingers. The BFI hopes to stage some more screenings of the film with the music played live, but we will just have to wait and see …