Tag Archives: British silents

Treasures from the silent era: the Townly Cooke Collection

Many of you reading this will have known the artist and photographer Townly Cooke, who died in 2016. He had a huge collection of silent film stills and memorabilia and was a regular at the British Silent Film Festival.

After he died, his collection of around 1,000 pieces was bequeathed to the wonderful Bill Douglas Cinema Museum in Exeter, and they are now on display there. Cooke never exhibited his collection, so this is the first time that these pieces have been shown to the public.

It’s a treasure trove for fans of British silent cinema. The majority of the collection consists of of stills from films of the 1910s and 1920s and most of these are from British films. Cooke was especially interested in the work of Cecil Hepworth, and his stars, including Alma Taylor and the It couple Henry Edwards and Chrissie White. Continue reading Treasures from the silent era: the Townly Cooke Collection

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The Informer (1929): 2016 London Film Festival Archive Gala announced

One of the most exciting annual announcements in the silent film calendar, at least for us Brits, is the London Film Festival Archive Gala. So start rolling those drums now. This year, the beneficiary of a digital restoration, a new score, a gala screening and and a Blu/DVD release is … Arthur Robison’s The Informer (1929).

This rare silent adaptation of Liam O’Flaherty’s famous novel is set among Dublin revolutionaries in the early days of the newly independent Irish Free State, formed in 1922. The Archive Gala will take place at BFI Southbank on Friday 14th October, 6.30pm in NFT1 and features a specially commissioned live score by Irish composer Garth Knox with a six piece ensemble.

The silent Informer is a British-made movie, filmed at Elstree by British International Pictures, but has the flavour of an international co-production too, starring Englishman Carl Harbord, Swedish Lars Hanson, and Hungarian Lya de Putti (you may know her from Varieté). The story is set in early 1920s Dublin, during the first years of the Irish Free State and it is a tale of revolution and betrayal, with an underground cell of activists torn apart when one of their member accidentally kills a police officer.

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According to novelist O’Flaherty, he wrote The Informer “based on the technique of the cinema,” as “a kind of high-brow detective story”. The BFI says that the film draws on this lead, with an expressionist vibe that looks forward to film noir. Robison’s studio-shot film is tense, and claustrophobic, reflecting the anxieties of the lead characters, almost exclusively shot in mid-shot or close-up.

Informer

The dense narrative develops in a short time heightening the intensity of emotional effect. Our sympathies are challenged to deal with the complexity of personal versus political loyalties, where no-one is entirely innocent and the implications of seemingly minor or impulsive decisions create inescapable moral dilemmas for all the protagonists.

The new score for the gala and Blu-ray release has been written by a composer from Ireland, Garth Knox. The music draws on his interest in medieval, baroque and traditional Celtic music, and uses some traditional Irish instruments as well as avant-garde composition styles. It will be performed by a six-piece ensemble including accordion, flute, Irish pipes and viola d’amore.

The Informer (1929)

The Informer (1929)

The digital restoration has substantially cleaned up the film, which was made in both silent and talkie versions at the dawn of the sound era – and reintroduced the lavender tinting it would have enjoyed on its first release.

More to come on this for sure … Silent London will keep you informed.

  • The London Film Festival runs from 5- 16 October 2016
  • The Archive Gala screening of The Informer with Knox’s live score will take place on 14 October 2016
  • The newly restored version of The Informer will be released on DVD and Blu-ray by BFI DVD in February 2017