Tag Archives: Buster Keaton

The Navigator and The General at the Prince Charles Cinema, July and August 2011

The Navigator at the Prince Charles Cinema
The Navigator at the Prince Charles Cinema

The Navigator

Buster Keaton’s popularity is booming, and rightly so. The stone-faced comic is seen as cooler, more elegant and less sentimental than Chaplin – but just as funny. And that’s why the Prince Charles Cinema in the West End has got two Keaton classics lined up for summer, to continue its silent season. Something really magical happens when you watch silent comedy with live music, and most importantly, a big crowd. You’ll laugh until your sides ache, just see if you don’t.

The Navigator, playing in July, sees Keaton play a toff stranded on a massive boat drifting across the ocean. He’s not alone though, his sweetheart (Kathryn McGuire) has stowed along as well. The visual gags are as inventive as ever – watch out for the underwater diving sequence, in particular. And the scene in which the lovers attempt to make breakfast. And the chase around the empty boat. And…

The Navigator screens on 28 July at 8.30pm, with piano accompaniment by John Sweeney. Tickets cost £11 or £7 for members and they’re available here. Check out the Facebook page here.

The General (1926)
The General (1926)

The General

Keaton’s The General is one of those notorious cinematic beasts – a film that was panned on its initial release and now sits securely in the top ranks of those Greatest Films of All Time lists. Set in the American Civil War, The General is crammed with stunts that are equal parts hilarious and precarious, as Keaton races across the US in pursuit of his beloved locomotive, his girlfriend and some dastardly Union spies. But you don’t have to take my word for it: here’s New York Times critic AO Scott, and some choice clips from the film.

The General screens on 25 August at 8.30pm, with piano accompaniment by Costas Fotopoulos. Tickets cost £11 or £7 for members and they’re available here. Check out the Facebook page here.

Barbican Silent Cinema at Canary Wharf, August 2011

Harold Lloyd in Safety Last (1923)
Harold Lloyd in Safety Last (1923)

What’s better than a silent film screening eh? A free silent film screening of course. The Barbican is camping out at Canary Wharf this August to stage three outdoor screenings of feature-length silent comedy classics and you won’t have to pay a penny to attend.

Neil Brand will be accompanying on the piano while the assembled crowds enjoy Monday night screenings of Buster Keaton’s The Navigator and The General and Harold Lloyd’s Safety Last. There’s nothing like watching silent comedy with a large, lively audience and Neil Brand is always on top form, so these shows should be inked in your diary already.

Monday 8 August
6.30pm – The General
(U) (US 1926 Dir. Buster Keaton & Clyde Bruckman 89 min)
Set during the Civil War and based on a true incident, The General is considered to be the one of the greatest comedies of all time. Buster Keaton plays Johnnie Gray who loves his steam train The General. When Union soldiers penetrate Confederate lines and steal his locomotive, Johnnie sets off in hot pursuit – and seven of the film’s eight reels are devoted to the nail-biting chase.
Monday 15 August
6.30pm – Safety Last!
(U) (US 1923 Dir. Fred Newmeyer & Sam Taylor 73 min)
In Safety Last!, Harold Lloyd’s most famous comedy, he plays a sales clerk in a department store who finds himself hanging off the hands of a collapsing clock on the side of a skyscraper high above the streets of downtown Los Angeles. Harold’s legendary building climb is breathtaking and hilariously funny at the same time. A sequence achieved without any special effects.
Monday 22 August
6.30pm – The Navigator
(U) (US 1924 Dir. Donald Crisp, Buster Keaton 60 min)
Keaton’s biggest box-office success tells the story of inept millionaire Rollo Treadway and Betsy O’Brien (Kathryn McGuire), his rich, pampered girlfriend, who find themselves on a huge deserted liner adrift in the ocean. The Navigator is one of Buster Keaton’s finest films.
Hopefully some of the financiers of Canary Wharf will be tempted to leave their offices and join in the fun – it’s got to be more of a laugh than banking.

Silent films at the Flatpack Festival, Birmingham, 23-27 March 2011

Sherlock Jr (1924)
Sherlock Jr (1924)

Another excuse for a trip outside the big smoke, Flatpack Festival is a quirky event, showing “cinematic wonders” of all kinds at venues across Birmingham at the end of March. And there is plenty on the schedule to entice a silent film fan.

First up is an evening at Birmingham Town Hall called Digging for Gold. This event is a tribute to film historian Iris Barry and features  a screening of Buster Keaton’s magnificent Sherlock Jr along with some European shorts. Music will be provided by Nigel Ogden and Alcyona Mick

Digging for Gold is at Brimingham Town Hall on 24 March at 7.30pm.

On the final day of the festival you can enjoy The Keystone Cut Ups at the Electric Cinema, which mixes early slapstick film with scenes from surrealist films of the same era.

People Like Us and Ergo Phizmiz have been regular collaborators for some time, and when commissioned by Berwick Media Arts & Film Festival last year the result was The Keystone Cut Ups; a kaleidoscopic split-screen voyage through silent cinema which combines celluloid moments both familiar and uncanny with an original score performed live in the auditorium. Striding purposefully into its second century, the Electric Cinema should provide the perfect setting.

You can see a short video excerpt here. The Keystone Cut Ups screens at the Electric Cinema on 27 March at 7.30pm.

Depending on which way your interest in early cinema runs, you may also be interested in a couple more events. There’s a screening of the classic Mae West film She Done Him Wrong (1933) on Sunday 27 March and the spooky Shadow Shows opens the festival on Wednesday 23 March with its Lotte Reiniger inspired silhouettes:

The performance is built around a triple-screen film projection, incorporating techniques of early cinema and a variety of shadow effects. The original music score and sound effects are performed live by Pram as hidden conspirators behind a giant film screen, occasionally also glimpsed as silhouetted figures incorporated into its fractured scheme of images. The musicians employ an eclectic mixture of electronic and acoustic instruments, while the sound effects are created using hand-crafted devices from the theatre of a bygone age.

All this as well as screenings of new and classic films, a vintage mobile cinema, and some very special cakes. More details at the Flatpack Festival website here.

Sherlock Jr at the Kinema in the Woods, Lincolnshire, 8 May 2011

Sherlock Jr (1924)
Sherlock Jr (1924)

This blog is primarily, but not exclusively, about silent film screenings in London – but when there are festivals, exhibitions or special screenings elsewhere in Britain they deserve a place on these pages too. Which is my excuse for telling you about this show coming up in Lincolnshire in May.

The Kinema in the Woods is a former concert pavilion, which began showing films in 1906 and continued to do so until it burned down in a fire in 1920. Two years later the Pavilion Kinema was rebuilt as a purpose-built cinema, with a rear-projection screen and the Phantom Orchestra providing the tunes.

These days, the Kinema in the Woods (named for its rural location) is still running, showing current releases and classics in its gorgeous 1920s-style building. So what better place could there be to watch a 1920s film? Particularly a 1920s film set in a 1920s cinema? I am hugely pleased that the Kinema in the Woods will be screening Buster Keaton’s Sherlock Jr (1924) on Sunday 8 May 2011. It’s a beautiful, hilarious film about a projectionist who falls asleep in the booth and has a strange dream that he is a movie detective, prompting a series of fantastically inventive gags. Music will be provided by Alan Underwood on the Kinema’s Compton organ and a short film will be shown also.

You can buy tickets and find out more about this unusual cinema on the website here, and there is a particularly entertaining Twitter feed too.

Sherlock Jr screens at 2.30pm on Sunday 8 May 2011 at 2.30pm.

Forest Row Comedy Film Festival, East Sussex, 18-20 March 2011

The General (1926)
The General (1926)

The Forest Row film society in East Sussex are discerning and enthusiastic cinephiles, who show heaps of exciting films, old and new, every week. Like all people of taste, they love silent films, and so I am pleased to say that their forthcoming comedy festival will feature some slapstick delights. Top of the silent bill is a screening of Buster Keaton’s magnificent The General on Saturday 19 March, with musical accompaniment by award-winning composer Terry Davies.

And the following day, Sunday 20 March, there will be a programme called Silents, Please, which is still slightly TBC, but this is what they have to say:

Many of the great silent comedies of the 20s were two-reelers, lasting around twenty minutes. The festival will also screen a programme of these, including Buster Keaton in Cops, maybe some Harold Lloyd, Chaplin and other gems. Screened with live music from Terry Davies and Anna Cooper.

Cops is hilarious. This should be great.

For more details about the festival, check out the website here, or find the Forest Row film society on Facebook. Forest Row is easily accessible from London. Simply catch a train from Victoria to East Grinstead, then a bus or cab three miles to Forest Row itself, I am told.

The Hippodrome Festival of Silent Cinema, Bo’ness Hippodrome, 18-20 March 2011

Clara Bow in It (1927)
Clara Bow in It (1927)

The Hippodrome Cinema in Bo’ness, Falkirk, beautifully restored to match its 1920 heyday, will host Scotland’s first silent film festival – and it promises to be an event with a real ‘vintage’ feel. The programme incorporates some enduringly popular silents, from a rare chance to see It (1927), starring Clara Bow, to FW Murnau’s influential vampire film Nosferatu (1922) and Charlie Chaplin’s The Kid (1921), plus a handful of comedies from Buster Keaton, Laurel and Hardy and Harold Lloyd.

Neil Brand will provide musical accompaniment to several of the films, and he will also perform his acclaimed one-man show The Silent Pianist Speaks. David Allison of The Island Tapes will reprise his score for Nosferatu at the festival’s closing night gala, and another of the films will benefit from a specially commissioned soundtrack performed by local schoolchildren.

There will be a Slapstick Workshop for over-12s by Scottish theatre company Plutôt La Vie, and a new, specially commissioned soundtrack for one of the films performed by local schoolchildren. Another retro treat for younger viewers is the “jeely jar special” – a revival of a 1920s practice whereby film fans can get a two-for-one deal on tickets for The Kid if they bring along a clean jam jar (with lid). Bargain.

And for a touch more glamour, the Opening Gala screening of It has a 1920s dress code. Dropped waists, long strings of beads and cloches – it’s the perfect opportunity to indulge your inner flapper and give Clara Bow a run for her money. Perhaps you can find some sartorial inspiration here. Festival director Allison Strauss says:

The whole event is designed to celebrate the magic, glamour and pure entertainment of films from the silent era.  Our programme and the supporting events include something for all ages and we’ve made sure that the wide appeal will involve a broad range of tastes, from cinephiles to anyone discovering early film for the first time.

For full details and to download a brochure, visit the website here.

The General and The Music Box, Crystal Palace Pictures, 14 April

The General (1926)
The General (1926)

Crystal Palace Pictures is a thriving local film society, which shows a film every other Thursday on a 17ft screen in the Gipsy Hill Tavern, near Gipsy Hill station. Residents of Crystal Palace are currently embroiled in a long-running campaign for a cinema, so it’s good to see that there is an alternative in the local area. Ideally, there would be room for both, but until then, Crystal Palace Pictures is doing sterling work, showing a hugely diverse range of films.

Continue reading The General and The Music Box, Crystal Palace Pictures, 14 April

The Navigator at the Barbican, 9 January

Buster Keaton in The Navigator
Buster Keaton in The Navigator

The Fashion in Film festival may have departed the Barbican for another year, but the Silent Film and Live Music series is still active. That said, there’s just one screening lined up for January, but it looks like a treat. It’s a Buster Keaton double-bill of sorts, comprising The Navigator (1924), and one of his earlier, short films, Cops (1922).
Continue reading The Navigator at the Barbican, 9 January