So the 41st Giornate del Cinema Muto, and my personal 11th, draws to a close with two British silent films. What is that they say about saving the best for last?
I was certainly in Italy this morning, with the Italian drama Profanazione (Eugenio Pergeo, 1924-6) – a tale of adultery, corruption, suspicious, lost pets and automobile accidents. This was spirited drama, if very heavy on the intertitles, with Leda Gys as a woman who strays and yet is more sinned against than sinning. That title translates into English as “defilement”, which gives you a sense of the subject matter, I think, and why censorship delayed the film’s release for so long. Gys is every inch the star, though notably more restrained than the diva mode, and she is the heart of this film that despite its twists and turns, is very much a serious film for grownups.
Continue reading Le Giornate del Cinema Muto 2022: Pordenone Post No 8