Tag Archives: Lil Dagover

Das Cabinet Des Dr Caligari: Blu-ray and DVD review

The Cabinet of Dr Caligari (1920)
The Cabinet of Dr Caligari (1920)

Just because a film has proved to be massively influential, it doesn’t follow that it will look modern. For evidence, I present Das Cabinet des Dr Caligari (1920) – without which, the movies that followed could look very different, but which barely cares to look like a movie at all. I’m exaggerating, which itself is very Caligari, of course, but watching the gamechanging new restoration of this cinematic titan, I am struck by how much of its power comes from the arts of set-painting and stage-blocking rather the magic of the moving pictures.

Although there are some eyeline cuts, irises, close ups and unsettlingly low-angled shots, Caligari heart belongs to its theatrical forebears. When I heard that this film had been restored, even when I saw the first YouTube clips of the work that had been done to bring crispness, brightness and vibrant, slick colour back to Caligari, I didn’t appreciate what all that labwork would reveal. This is Caligari the spectacle, a testament to design and showmanship – a world away from the current trend in horror cinema to ramp up the realism and immerse the audience in a grey and gruesome world.

Das Cabinet des Dr Caligari (1920)
Das Cabinet des Dr Caligari (1920)

Watching this Blu-ray, you can make out each brushstroke on the canvas backdrops, the clumps of white powder in the Doctor’s hair, Lil Dagover’s spidery painted-on eyelashes. Lean in, you might just be able to lick the greasepaint off the screen. The power of Caligari, of course, is that it’s no less terrifying for being artificial. In the same way that the framing story in the asylum, which was tacked on to make the film less scary, actually contains some of the film’s most disturbing scenes, Caligari‘s high-concept design strategy is so daunting as to be horrifying. There’s a lengthy, and very useful excerpt from Lotte H Eisner The Haunted Screen in the accompanying booklet and her summary of the power of Expressionism bears repeating:

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Le Giornate del Cinema Muto 2013: Pordenone post No 4

A Day With John Burroughs (1919) George Eastman House Motion Picture Department Collection
A Day With John Burroughs (1919) George Eastman House Motion Picture Department Collection

It was another strong day, and an emotional one too, not least because we were saying our first farewells to the Corrick Collection. There’s just one more batch of these strange and vivid early films to go (on Saturday) before they depart the Giornate schedule for good.

Première Sortie d'une Cycliste (1907) National Film & Sound Archive, Canberra
Première Sortie d’une Cycliste (1907) National Film & Sound Archive, Canberra

Today’s selection brought us an increasingly rare moment of comedy in the form of the three-minute romp Première Sortie d’une Cycliste (1907), fascinating early 1900s street scenes from China and Japan, a stencil-tinted biblical drama by Louis Feuillade (Aux Lions les Chrétiens, 1911) and some outrageous examples of animal cruelty, from quail-fighting to a brutal twist on archery in Distraction et Sport à Batavia (1911)

There was more early cinema to savour in Patrick Cazals’ documentary portrait of French star and film-maker Musidora. There was far more to her career than Les Vampires and Judex. She was a prolific writer (of letters, poems and scripts); a painter; a director; a film historian at the Cinématheque; a feminist icon; and yes, a muse to many. Where Musidora, la Dixieme Muse (2013) succeeded best was in interviewing her relatives – who could speak to her personality as well as her polymathic achievements. An affectionate hour. A recording of the woman herself included in the doc captured her opining that films should be produced like good books, with images worth revisiting 20 years after they are made. As the Verdi crowd watched, rapt, as clips of Musidora in her first screen appearance (Le Misères de l’Aiguille, 1913) played, we can fault her only on the scale of her ambition.

Continue reading Le Giornate del Cinema Muto 2013: Pordenone post No 4