This is a guest post for Silent London by Sean Crose, author of Catholic Girl: The Life and Times of Mabel Normand, published by BearManor Media. To order this biography of the iconic silent comedienne, click here.

“My first parts were all in tragedies,” Mabel Normand told the Los Angeles Examiner in 1924. “Mr Griffith never could see me as a comedienne.” Sure enough, Mabel, the pioneering comedic icon of the silent era, got her start in film doing tragedies for director DW Griffith. Difficult though it may be to imagine, Mabel was more apt to be found on screen back then trying to steal the husband of Mary Pickford’s character than performing the groundbreaking, sometimes quite dangerous, slapstick she would become famous for. Over ninety years after Mabel’s death at the far-too-young age of 37, it’s worth asking how she made the transition from tragedy to comedy so masterfully.