Are we in the midst of a City Symphony revival? As well as recent essayistic examples from Terence Davies and Mark Cousins we have had last year’s London Symphony, and in 2016, Brighton Festival commissioned another, which has been screened a handful of times around the country and is now out on DVD, and about to screen again in London and Brighton soon.
I’ve been keen to set my eyes on Brighton: Symphony of a City for a while, especially once I started hearing such good things about it. The DVD it is available on is called Symphonic Visions, and it is a showcase for the work of composer Ed Hughes. Alongside Brighton: Symphony of a City, directed by Lizzie Thynne, which is a whisker over 47 minutes long, there are four silent shorts featuring new scores by Hughes and Sky Giant (1942), a British Movietone film from the Imperial War Museum archive about the Arvo Lancaster Bomber.
This month sees the return of Brighton Festival, a three-week cultural feast, featuring music, theatre, comedy and more than the city’s usual share of jugglers no doubt. It’s a very high-profile event – Burmese activist Aung San Suu Kyi is the festival’s Guest Director this year, and she has recorded an inspiring message for the festival website, all about creativity and freedom of expression.
Therefore I am very pleased to say that early cinema is among the artforms represented at the seaside festival, most notably by a screening of Dreyer’s The Passion of Joan of Arc, accompanied by Adrian Utley and Will Gregory’s compelling new score. I was fortunate enough to see (and hear) this last week in London and it really is a tour de force, so please do attend the screening on 29 May at the Concert Hall if you can. Details here.
But it doesn’t stop there. Professor Heard will be setting up shop in the festival’s pop-up cinema, for two magic lantern shows on 16 May. First on the bill, at 7.45pm, will be the Old Curiosity Show, featuring “bearded ladies, alphabetical acrobats, prodigious pigs, baby juggling and curious cinema advertisements”. Then at 9pm the professor will return with a little something strictly for the over-18s:
A sniggerfest of artistic fluffing material. A prurient look at Victorian erotica, plus further examples of the way in which Victorian gentlemen and ladies got their jollies. Definitely not for children.
Also at the Komedia Studio, an intriguing short theatre piece called Asta Nielsen is Dead: a Silent Movie will use projections and captions to pay homage to the Danish actress:
Lady Pumpernickel and Miss Carrota interact with projected texts and images, using methods found in silent films. As in silent films the performers will suffer from the tragedies of love & attempt to escape bizarre and humorous accidents. At the end there is just one open question: Who is going to die?