Tag Archives: city symphony

London Symphony: a new silent film released this September

Do you remember London Symphony? It’s a project this site has long been excited about. You may even have backed it on Kickstarter, or like me, even appeared in it. The film is directed by Alex Barratt and it’s a sumptuous new city symphony for the capital – an entirely silent movie that swoops around more than 300 locations in London to the tune of a newly composed musical score by James McWilliam. And finally, you’re going to get the chance to see it.

London Symphony will have a ’boutique’ theatrical release, with a screening at the Barbican on 3 September 2017, accompanied by the Orchestra of St Paul’s playing McWilliam’s score live. You can book tickets here.

There will be further UK screenings after the Barbican event, which will be announced shortly, and the film will be distributed internationally by Flicker Alley.

Photograph: Alex Barrett
Photograph: Alex Barrett

 

LONDON SYMPHONY is a contemporary take on the ‘city symphony’, a genre of creative non-fiction that flourished in the 1920s and consisted of works that attempted to build poetic portraits of city life. As well as serving as a form of virtual tourism, city symphonies raise important and universal questions about the nature of community life – questions that have become vital within the current political climate.LONDON SYMPHONY’S September release will coincide with the 90th anniversary of Walter Ruttmann’s BERLIN, SYMPHONY OF A GREAT CITY, one of the most important examples of the original city symphonies. Ruttmann was one of the great pioneers of experimental film, and Barrett and McWilliam have worked hard to bring a similar sense of poetic playfulness to LONDON SYMPHONY, while also updating the form for the 21st Century.

 The project’s September release will be launched with a special screening at the Barbican Centre, the home of silent cinema in London, where it will be presented with the live premiere of McWilliam’s musical composition, as performed by OSP (the Orchestra of St Paul’s) and their conductor Ben Palmer. Says Palmer: “It’s always a thrill to bring a new piece to life, but this promises to be an unusually interesting collaboration for OSP. We’re very excited to be premiering James McWilliam’s fantastic music for LONDON SYMPHONY, especially at the iconic Barbican Centre”.

The screening will be followed by a panel discussion featuring Barrett, McWilliam, Palmer and London history specialist Mark Rowland, chairman of Footprints of London. It will also mark the opening of the Barbican’s autumn ‘Silent Film and Live Music’ series. Tickets can now be purchased here: https://www.barbican.org.uk/film/event-detail.asp?id=21462.

After this special launch event, LONDON SYMPHONY will tour around a number of carefully selected venues throughout the UK, including conventional cinema spaces and alternative spaces such as a Parish Church and a Buddhist Meditation Centre. “In many ways,” says Barrett, “LONDON SYMPHONY is a community project, and we hope to bring it directly into those communities during our release”.

Photograph: Alex Barrett
Photograph: Alex Barrett
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Le Giornate del Cinema Muto 2016: Pordenone post No 3

On a blissfully sunny Monday in the town we’d really rather you didn’t call “Porders” we saw films which taught us that money makes the world go round, and films that transported us to the far side of the globe. Come take a trip …

The Who’s Guilty? strand continues to entertain – we’re all hooked. Although I was worried that Anna Q Nilsson kept getting married and kept suffering as a result and would never learn. A case in point was today’s first film, the second reel of Sowing the Wind (1916). However, things took a turn for the modern in Beyond Recall (1916) as an extravagantly costumed Anna Q took a job (really!) in the District Attorney’s office and did her very best to save the life of Tom Moore, wrongly accused on circumstantial evidence of murdering his girlfriend. The DA ignored her arguments, so unfortunate Moore was sent to the chair, grimly illustrating some still-relevant troubles with sexism in the workplace and the fate of poor people in the justice system. Anna Q can’t catch a break.

LE ROI DES DOLLARS (FR 1905) Collection EYE Filmmuseum, Amsterdam
LE ROI DES DOLLARS (FR 1905) Collection EYE Filmmuseum, Amsterdam
Continue reading Le Giornate del Cinema Muto 2016: Pordenone post No 3

Ever wondered what it’s like to be in a silent movie?

Gloria Swanson in Manhandled (1924)
Gloria Swanson in Manhandled (1924)

Trust me, I have never been ready for my close-up. But when I backed the new silent film project London Symphony, I recklessly ticked the box to say that yes, I’d be in the movie. I envisaged the back of my head in a crowd, perhaps. Something nice and anonymous.

But cometh the hour, cometh the poseur, and today I spent an hour or so shooting a snippet of a scene for London Symphony. Or sitting mostly still and doing what I was told while trying not to get the giggles. Here’s what I learned from my experiences on a silent movie “set”:

  • There’s a reason those silent-era directors had megaphones. We were filming on the Victoria line (yes, we had permission) and while no doubt director Alex Barrett was talking me through my big scene, I could barely hear a word he said.
  • There are a lot of angles to cover – two cameras, shooting front-on, overhead, from a distance, crammed next to my cheek … The London Symphony crew were using handheld digital cameras, of course, I can’t imagine how this would play out with a wooden-boxed hand-cranked job.
  • I didn’t realise how much structure dialogue gives to a scene. I’m not an actor, so of course I was going to feel a little self-conscious being photographed by those moving picture contraptions. But without anything to say, I really felt a little untethered. Anything could happen! Luckily Adam Hickey, the actor I was working with, was actually an actor and very professional.
  • Londoners are not in the least bit fazed by seeing people filming and playacting on the tube. We caused not a ruffle. Though Alex did tell me that amateur photographers often approach him in the street to chat about the gear. Mmmm, lenses.

Continue reading Ever wondered what it’s like to be in a silent movie?

London Symphony: play your part

 

 

“In the early days of the cinema, there were several great City Symphonies – for Berlin, Paris, Rotterdam, but never for London. Alex Barrett is going to put that right, and his plans suggest a remarkable picture.” – Kevin Brownlow

A few months back, I promised you the chance to support the making of a new London City Symphony. Now the day has arrived, as the London Symphony team have launched their crowdfunding campaign. They need the help of Silent Londoners to turn their vision into a reality. They’re asking for your financial support, and offering you some chances to be involved in the making of the film too. If you can’t afford to help out yourself, they’d love you to spread the word about the project.

Alex Barrett, the film’s director (and Silent London contributor) explains why he wants to revive the City Symphony style for his new film: “We believe that by looking at the present through recourse to the past, we can learn something new about life today,” he says. “We won’t be parodying the style. We will be true to the spirit of the filmmakers that came before us, and we hope to capture the rhythm, the motion and the experimentation that made their films so wonderful, while simultaneously reimagining the City Symphony for the 21st Century”.

LONDON SYMPHONY is a poetic journey through the city of London, exploring its vast diversity of culture, religion and design via its various modes of transportation. It is both a cultural snapshot and a creative record of London as it stands today. The point is not only to immortalise the city, but also to celebrate its community and diversity.

Alongside making the film, the team will also be creating a new score – an original symphony – written by composer James McWilliam. Says James: “Music plays an important role in silent cinema, and our score will help take viewers on a journey through modern-day London”. The filmmakers plan to record the music with a live orchestra, but also have it performed live at special event screenings of the finished film. LONDON SYMPHONY reunites the team behind the short film HUNGERFORD: SYMPHONY OF A LONDON BRIDGE. A three-minute city symphony in its own right, the short film now serves as a pilot for the team’s intentions with the feature-length LONDON SYMPHONY.

You can visit the London Symphony crowdfunding page here. Check out the range of rewards and watch the video, in which the film-makers set our their plans for the movie.

 

A modern city symphony for London – and how you could get involved

This beautiful short, Hungerford: Symphony of a London Bridge, is a mini city symphony directed by Alex Barrett in 2010. It has won several awards, appeared at many festivals, and here at Silent London we have long admired it. Barrett, a writer, film-maker and regular Silent London contributor, has a more ambitious project in the works, though: London Symphony, a feature-length silent film about our fair capital. Barrett is a huge admirer of European silent cinema, and the city symphonies of the 1920s avant-garde. He plans to start shooting London Symphony later this year. Here’s how he describes the project:

London Symphony is a poetic journey through the city of London, exploring its vast diversity of culture and religion via its various modes of transportation. It is both a cultural snapshot and a creative record of London as it stands today. The point is not only to immortalise the city, but also to celebrate its community and diversity.

He’ll be asking for your help though – Barrett and his team want to crowdfund their movie, and you’ll be hearing more about that in the summer on these very pages.

For now, the best way to follow the progress of London Symphony is to sign up to the mailing list here . You can also follow London Symphony on Twitter @LondonSymphFilm and Facebook too.