How long would you wait for a date with Lars Hanson? Maybe don’t answer that, but the past year we have spent yearning for Lars, after seeing his brooding visage on all those beautiful posters for the 2017 Giornate, has flown by. This year, the artwork celebrates the divine Pola Negri, but we’ll have plenty of time to get to her later in the week. Tonight, on the opening evening of the 2018 Giornate, we finally had our night with Lars, and Dr Philip Carli, thanks to a triumphant orchestral screening of Captain Salvation (1927). It was an invigorating start to proceedings, and just the kind of high-quality discovery that keeps us coming back (and back) to the festival.
Captain Salvation? No, I hadn’t come across it before, but it’s a wonder. Hanson plays Anson, a young vicar-in-training living in a coastal village near Boston. He loves the sea, his fiancé Mary (Marceline Day) and God. Quite possibly in that order. When a shipwreck washes up a sex worker named Bess (a wonderful Pauline Starke), Anson defies the locals to offer her charity, rather than the bum’s rush. Ostracised by the piety police, Anson and Bess take passage on a ship captained by a leering Ernest Torrence (excellent as always), which turns out not to be quite what it seemed.