Tag Archives: Christopher Nolan

Tenet (2020): the oldest special effect in the world

I think this blogpost contains spoilers, but it’s very hard to tell.

Christopher Nolan’s new film is notoriously complex, or perhaps just convoluted. I say that because although I wasn’t always ready to answer probing questions on either the plot or the physics that propelled it, I was fascinated by Tenet’s central use of the simplest, and most effective weapon in the filmmaker’s arsenal: the rewind.

Film is a time-based medium, which is always played forwards but can be recorded backwards. And at the heart of Tenet, this is all there is: film moving backwards and forwards. This being a Nolan blockbuster, we know it was actually shot on film, which makes it extra satisfying. Tenet calls the rewind “negative entropy” and so would you if you were making a multimillion-dollar movie.

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Sound Barrier: Dunkirk (2017) & The Battles of Coronel and Falkland Islands (1927)

The Sound Barrier returns with two wartime blockbusters. In this episode, Pete Baran and I are joined in the studio by the Guardian’s Nick Dastoor.

We’re debating the relative merits of Christopher Nolan’s smash-hit WWII spectacle Dunkirk and Walter Summers’ patriotic WWI re-enactment film The Battles of Coronel and Falkland Islands (1927)

Sound Barrier: Dunkirk (2017) & The Battles of Coronel and Falkland Islands (1927)

The Silent London Podcast is also available on iTunes and Stitcher. If you like what you hear, please subscribe and leave a rating or review too. The podcast is presented in association with SOAS radio by Peter Baran and Pamela Hutchinson.

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The next episode of Sound Barrier will appear in a fortnight’s time. We’ll announce the films for the next podcast about a week before it launches, so you can watch what we’re watching.

Read more about The Battles of Coronel and Falkland Islands (1927)