Tag Archives: Jane Shore

Highlights of the British Silent Film Festival, 10-13 September 2015

I had to share this news as soon as it landed: booking is now open for the British Silent Film Festival, which takes place from 10-13 September this year at the Leicester Phoenix. See you there!

British Silent Film Festival

cropped-bfi-00n-sc3.jpg The Guns of Loos (1928)

The 18th British Silent Film Festival features some stunning highlights, re-discoveries and rareties gleaned from the BFI Archive and international collections. Highlights include the British premiere of Stephen Horne’s new musical score for The Guns of Loos (1928) and Laura Rossi performing her new score to British cinema’s first epic Jane Shore (1915) at Leicester Cathedral which recently saw the reinternment of Richard III who features in the film as a key protagonist.

A missing-believed-lost early Hitchcock collaboration, the comedic Three Live Ghosts (1922) will be featured after recently being re-discovered in the Russian film archive. We’ll also have the British premiere of a brilliant new score by Bronnt Industries Kapital for the Soviet classic Arsenal (1929)

51473-1 Michel Strogoff (1926)

Our theme of ‘heroes and villains’ will be explored in stunning masterpieces of European cinema including Michel Strogoff, (1926) featuring the charismatic Russian star,

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Laura Rossi interview: ‘The music makes the images come alive’

Jane Shore (1915)
Jane Shore (1915)

Jane Shore (1915) has been described as the first British epic, and one that rivalled the best productions coming out of Hollywood at the time. A cast of thousands is used to great effect by producer/cinematographer Will Barker (founder of Ealing Studios) in this ambitious retelling of the story of Jane Shore: one of the many mistresses of King Edward IV who described her as one of “the merriest, the wiliest, and the holiest harlots” in his realm.

The BFI has made a stunning new print of the tinted version of Jane Shore (recently discovered in its archives) for its centenary. Composer Laura Rossi has written a new score for the film, which is being performed on a tour of the UK. Here, she answers a few questions about the project, and her writing process.
How did this commission arise and how did you choose the film?

Classic Cinema Club – Ealing wanted to commission me to score a silent film for a live music and film screening at their cinema club. We decided it would be good (as I also live in Ealing) to try and find a silent film made at Ealing Studios. I approached Bryony Dixon at the BFI, who dug out a few films for me to view in a BFI basement room on an old Steenbeck machine.

I was taught how to use the machine and change the reels. It was a very magical day watching reels of footage filmed over a hundred years ago. Jane Shore seemed the perfect fit – a film made at Ealing Studios by the studio founder Will Barker.

For this centenary tour the BFI made a specially restored digital print of the tinted version of the film which looks stunning. We were lucky enough to secure a grant from PRSF Women Make Music fund for the commission and first performance, and an Arts Council grant to help fund the tour.

What do you think is so special about watching a silent film with live music?

Watching a silent film with live music is such a magical experience and can be enjoyed on many levels. The music makes the images come alive and fills the auditorium, giving a four-dimensional experience.

It’s not just about watching the film, but also being transported back to this era. It’s fascinating to see how people acted then, the exaggerated gestures, and the early techniques of making films.

Continue reading Laura Rossi interview: ‘The music makes the images come alive’