Tag Archives: Arsenal

Bronnt Industries Kapital and Arsenal: listen up

When I saw Dovzhenko’s Arsenal at the British Silent Film Festival in Leicester in 2015 I was blown away. Yes, it’s a great film, but I had seen it once or twice before. However, the score performed that evening by Bronnt Industries Kapital, AKA Guy Bartell, knocked my socks off. If I’m strictly honest, it made me appreciate the film itself, which had previously left me a little cold, far more. You may have heard the band’s excellent score for Turksib – this one is even better.

I said, “Bartell’s score is expertly judged – an echo chamber of horror for the film to resonate inside. I urge you to catch the film with this score whenever you can.” And I wasn’t the only viewer impressed. None other than John Sweeney, who knows whereof he speaks, said: “An extraordinary soundtrack for an extraordinary movie, Guy Bartell’s sound score for Arsenal plugs the viewer directly into the nervous system of this shattering film.”

Arsenal.jpeg

So I am very chuffed to share with you the news that Bronnt is releasing this new score for Arsenal on CD, (green) vinyl and digital formats on 12 January 2018 via I Own You records. The score was commissioned by the Oleksandr Dovzhenko National Centre with the British Council to accompany the ODNC’s recently restored print. Which means …Yes, Bronnt is taking the music and the film on a little tour. Remember what I told you – catch it if you can.

Additional dates to be announced soon.

  • You can pre-order a copy of Bronnt Industries Kapital’s Arsenal soundtrack here.
  • And here’s a taster of the music:

 

 

Advertisements

British Silent Film Festival 2015: Leicester letter No 4

Tell England (1931)
Tell England (1931)

There are two ways of looking at Sunday’s programme. You might glance at the listings and say: “it’s the last day of the festival, the films finish early, it’s all winding down.” But if you were there with us, watching these films, you’d know different. Sunday at the BSFF offered a big finish, with three feature films shown: one of which was a gem, and two of which were genuine masterpieces. And there was plenty more besides.

Shall I begin with a confession? Reader, I slept in. And those extra zeds were delicious, but I did regret missing Bryony Dixon’s presentation on Gallilopi, a curtain-raiser for the screening of Tell England (1931) that was to follow.

However, Tell England was a rousing start to the day – you couldn’t ask for better. We have been on a journey with these early sound films over the weekend – from the stumbling first steps of Dark Red Roses et al, via two beguiling movies on Saturday, to this, a real masterpiece. We were warned that the soundtrack was not of good quality, but really, it was not a problem. In fact, for every mishandled piece of dialogue here, there was a sound collage that did credit to co-directors Anthony Asquith and Geoffrey Barkas. And I suppose it does help that the actors offered a parade of perfectly clipped RP accents. Asquith and Barkas fold silent film-making techniques into their exploration of sound cinema – making this a bold and visually exciting war film. Tell England follows two young heroes (Tony Bruce and Carl Harbord) from their public school in divine middle England to the trenches of Gallipoli where the horrors of war and their duties as precociously promoted officers weigh heavy on their hearts. While the characters speak with traditional English restraint and understatement, the film whirls around them to show the physical violence of warfare (with mortar shells whirring and crashing on the soundtrack), and its psychological toll too, on the soldiers themselves and Fay Compton as a distraught mother almost driven mad by grief and fear. Not a documentary record of Gallilopi, although its vivid beach landing scenes are often cut up and used in factual programmes, but a fine dramatic film that would ideally be more widely available. So, insert a snide remark about the talkies catching on here.

After lunch, a commercial break, as the BFI’s Steve Foxon gave us a  guided tour of screen advertising, from Edison’s short 1890s clip promoting Dewar’s whisky, to a bouncy Halas & Batchelor cartoon tribute to Kellogg’s Cornflakes in the1940s. All good fun, and the sort of presentation that provokes many more questions in the coffee break afterwards. Early screen advertising is both very different from and so similar to modern examples, with detergents cleaning whiter, and making easy work of tough jobs, as well as twee poetic tributes to the English countryside and even celebrity endorsements. And of course you can’t believe that anyone fell for these tricks. But we all do.

Continue reading British Silent Film Festival 2015: Leicester letter No 4

Highlights of the British Silent Film Festival, 10-13 September 2015

I had to share this news as soon as it landed: booking is now open for the British Silent Film Festival, which takes place from 10-13 September this year at the Leicester Phoenix. See you there!

British Silent Film Festival

cropped-bfi-00n-sc3.jpg The Guns of Loos (1928)

The 18th British Silent Film Festival features some stunning highlights, re-discoveries and rareties gleaned from the BFI Archive and international collections. Highlights include the British premiere of Stephen Horne’s new musical score for The Guns of Loos (1928) and Laura Rossi performing her new score to British cinema’s first epic Jane Shore (1915) at Leicester Cathedral which recently saw the reinternment of Richard III who features in the film as a key protagonist.

A missing-believed-lost early Hitchcock collaboration, the comedic Three Live Ghosts (1922) will be featured after recently being re-discovered in the Russian film archive. We’ll also have the British premiere of a brilliant new score by Bronnt Industries Kapital for the Soviet classic Arsenal (1929)

51473-1 Michel Strogoff (1926)

Our theme of ‘heroes and villains’ will be explored in stunning masterpieces of European cinema including Michel Strogoff, (1926) featuring the charismatic Russian star,

View original post 258 more words