Jonathan Croall would like to introduce you to his father, his father’s friends and their neglected, but fascinating, glory days. Readers of this blog will recognise Croall’s father as John Stuart, the dashing star of many a British silent movie, including The Pleasure Garden, Roses of Picardy and Hindle Wakes, plus many more talkies besides. Stuart worked right until the late 70s. His last big-screen role was as a Kryptonian elder in 1978’s Superman.
This lovingly written and hugely informative book, Forgotten Stars: My Father and the British Silent Film World, is concerned with Stuart’s heyday, however, and his cohorts in Britain’s silent movie industry. As Croall tells his father’s story, he loops in the tales of the actors, writers, producers and directors he worked with: there’s Maurice Elvey and Alfred Hitchcock; Lillian Hall-Davis and Estelle Brody; the Film Society and the coming of sound. It’s a distinctive methodology – a chapter on a wider topic will suddenly focus on anecdotes from Stuart’s career alone, and then usher in two more dramatis personae. Under the chapter heading Fans and Fan Clubs, say, one reads several paragraphs on the publicity industry surrounding silent movie stars. Beneath the subheading A Star Under Siege we encounter a story about Stuart being mobbed by fans at the Film Artists’ Fair, which leads to a discussion of his fans, his fan club, his gruelling schedule of personal appearances and the speeches he made. (These sections that dwell solely on Stuart’s career are flagged with his smiling portrait.) This is then followed by two profiles of British silent cinema’s two biggest stars: Betty Balfour and Ivor Novello.