Lyda Borelli, Lillian Gish, Florence Vidor, Stacia Napierkowska. Let’s hear it for the ladies after an exceptionally strong day at the Giornate. My favourite film of the day was a Stahl that surprised us all, so let’s start with the great master of melodrama himself. or do I mean, the master of comedy?
Husbands and Lovers (1924) was one of the few silent Stahls I had seen before, sort of. I had seen a cutdown version of this film, which stars Vidor and Lewis Stone as a married couple, and Lew Cody as their friend who makes up one of those triangles we have learned so much about this week. It’s dedicated to “the tired American wife who has a husband and craves a lover, or some such. The shortened version gave me a bum steer, turning it into a mini-melodrama. This is a sparkling, and very smart marital comedy, much in the same vein as Lubitsch’s The Marriage Circle. In the opening sequence, Vidor does everything she can do for her helpless man to assist with his morning routine, dashing about in her dressing gown. And then the cad has the verve to say she looks frumpy and untidy. Does that mean there was not a hint of tragedy or an outlandish coincidence in sight? No, but it was played for laughs. And the joy of it is the slowly shifting relationship between the three characters, first one way, then another, until a joyous ending. Fantastic cinematography, sharp lead performances and a very adult understanding of what gets lost and goes unsaid in a long-term relationship. Do look out for this if you can. And it goes without saying, it gave us plenty more to talk about at today’s Stahl collegium presentation. Continue reading Le Giornate del Cinema Muto 2018: Pordenone Post No 6