Die Nibelungen (1924): DVD & Blu-Ray review

Die Nibelungen (1924)
Die Nibelungen (1924)

Who needs to wait for Peter Jackson’s The Hobbit? Fritz Lang’s five-hour, two-part Die Nibelungen (1924) is the king of all fantasy epics. Burning palaces, bloody fight scenes, dragons, cloaks of invisibility – this beast has it all, and it’s breathtakingly beautiful as well.

Available for the first time ever on home video, Die Nibelungen still has the power to take your breath away, so we can only imagine how imposing this magnificent saga was for audiences in the 1920s. The first part is called Siegfried and follows our eponymous hero’s outlandish adventures. Early on, he slays a dragon, then bathes in its blood, rendering himself impervious to harm (about from a small patch on his back that was covered by a falling leaf and failed to absorb the blood). Thus super-charged, Siegfried sets about becoming a king of kings, rich beyond compare having won the Nibelungen’s wealth, but doomed, equally, because the treasure is cursed, you see … The second part, called Kriemhild’s Revenge, features his (spoiler) widow seeking vengeance for her husband’s death.

Visually, Die Nibelungen is consistently mind-blowing. The camera is largely static, but the vast, intricately decorated sets, shot from extreme perspectives and filled with massive crowds in extravagant costumes will throw you into a trance. These films are never dull to look at, and sometimes, as when the light falls in elegant slivers through the forest on to Siegried and his horse, or the northern lights dance above Queen Brunhild’s castle, they are simply exquisite. If you’ve seen Metropolis, that will give you some idea of the boldness, and magnitude of Lang’s vision here. This is a strangely modernised, stylised update of the story’s Wagnerian sources, and because it is all shot on sets rather than location (even the forests), Die Nibelungen looks like a fantastical stage play magicked into three-dimensions. And the special effects are meticulously realised, from the mechanical dragon to a “wipe” superimposition that turns the treasure-bearing dwarfs to silently screaming stone. The only time you’ll lose concentration is when you’ll start wondering: “How did they do they that?”

What you see on these discs is the end result of a restoration process bringing together several different camera negatives, fixing damage and replacing missing title cards. This release also replicates the golden tinting thought to have characterised the films’ original release, which soaks lushly into Carl Hoffmann’s high-contrast Expressionist photography (there’s a detailed note on the tinting in the booklet that accompanies the discs). The Blu-Ray HD transfer is excellent, so you’ll want to watch this on the best, biggest screen you can get your hands in and let yourself be swept away by all its glory. Turn up the sound too: frequent Lang-collaborator Gottfried Huppertz’s original orchestral score is available here in stereo or 5.1 mixes and nothing less bombastic or densely textured would do.

That said, it’s an awful lot to swallow in one sitting, and the acting here is of the chest-clutching, hair-pulling grand style. Paul Richter as Siegfried is a notable offender. And the scene in the first film in which Siegfried uses his magic to help his ally “subdue” his wife in the bedroom is unpleasant to modern eyes for an entirely different reason. The illuminated Gothic intertitles are very grand, but the English subtitles are sometimes hard to read because they have been translated so literally: “Invincible be he who is the dragon-slayer!” The second feature also suffers from having a less well-structured, eventful plot than the first, too, relying on endless fight scenes between the noble Burgundians and feral Huns rather than Siegfried‘s gorgeous flights of fancy. Don’t despair though: its flaming finale, and Rudolf Klein-Rogge’s grotesque Attila, are well worth putting in the hours for.

Die Nibelungen (1924)
Die Nibelungen (1924)

These are two big, big films, with lots to impart to us about Lang’s film-making style, about German nationalism and myth-making in the 1920s (they are dedicated “to the German people”), and more besides. So it’s valuable that this release comes with one of Masters of Cinema’s characteristically thorough booklets, containing essays from Lotte Eisner and Tom Gunning, some words from the director and a note from British film legend Michael Powell, as well a Geoffrey O’Brien poem, all of which will help you to explore and appreciate Die Nibelungen‘s strengths. There’s also a German-language (with subtitles) documentary, The Heritage of Die Nibelungen, which will bring home to you just how ambitious these films are, and also, what a gruelling experience it was for the actors.

Die Nibelungen will demand your time and attention both – but it is terrifically enjoyable, exciting stuff. This is a hugely welcome and well-considered release of an important epic.

120_DIE NIBELUNGEN_DVD_packshot_300dpiDie Nibelungen is released on DVD and Blu-Ray in the UK on 29 October 2012. It’s available to pre-order from all these places: Amazon (Blu-ray) http://amzn.to/OBRaWG  (DVD) http://amzn.to/V7bo9T; HMV (Blu-ray) http://bit.ly/V7bJt4  (DVD) http://bit.ly/Oaal9X; The Hut (Blu-ray) http://tidd.ly/3c624f16  (DVD) http://tidd.ly/8272fa65; Play (Blu-ray) http://tidd.ly/2e952f6  (DVD) http://tidd.ly/88bde1b8

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7 thoughts on “Die Nibelungen (1924): DVD & Blu-Ray review”

  1. I’m enjoying this tremendously – an hour into Kriemhild’s Revenge so not long to go. Let’s hope MoC continue to bring us the best in silents; they’ve a good record so far and Lang is particularly well represented.

    Surely Die Nibelungen was previously available on home video? I’m certain I watched a pair of Tartan releases back in the 80s/90s.

    1. Hi thanks for your comment George. Glad you’re enioying DN. And you are not the first to spot that error. Apologies – apparently the films have been available before, as US imports perhaps.

  2. Very exciting release, just goes to show that where all modern ‘blockbusters’ of this ilk come from. Many of the scenes here have been used throughout the decades. This film still has the same wonder now as it had almost 100 years ago. Amazing to think of how Lang could pull this oof and then only three years later mustered another masterpiece in Metropolis. Bravo to Masters of Cinema, once again… Can we have Nosferatu on Blu-ray please!!!!

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