Le Giornate del Cinema Muto 2014: Pordenone promises

John Barrymore and Delores Costello in When a Man Loves (1927)
John Barrymore and Delores Costello in When a Man Loves (1927)

Have you booked your fights yet? The 33rd edition of the world’s most prestigious silent film festival in Pordenone, Italy is looming – it will take place from 4-11 October, and tantalisingly, a few details have already been released. There are a few screenings already listed on the official website, and a shiny new press release (written in Italian) too. With the help of Google translate, let me tell you what I learned on the internet.

  • I can tell you that there will be a gala screening on the last night of Chaplin‘s City Lights, with an orchestra playing the director’s original score, as reconstructed byTimothy Brock. Günter Buchwald will conduct. Elsewhere in the festival, four Chaplin shorts will screen with Benshi narration by Kenka Yasubei, who will also voice a classic Japanese film.
Ben Hur (1925)
Ben-Hur (1925)
  • Did you know that this year marks the centenary of Technicolor? A dedicated strand at the Giornate will screen 30 full-length films and clips that showcase the pioneering colour technology. Watch out for The Black Pirate (1926) and Ben-Hur (1925).
  • Hollywood royalty will be celebrated at Pordenone with a showcase for the silent films made by the Barrymore acting dynasty, including Dr Jekyll and Mr Hyde (1920), The Copperhead (1919), The Beloved Rogue (1927) and Beau Brummel (1924) – plus the two surviving reels of The Eternal City (1922). Films starring John, Ethel and Lionel Barrymore will be shown across the week, with When a Man Loves (The Loves of Manon Lescaut), 1927, starring “the Great Profile” himself and Delores Costello opening the Giornate on 4 October. When a Man Loves will be presented with its original Vitaphone soundtrack, composed by Henry Kimball Hadley, and will be supported by a programme of Vitaphone shorts.
  • A section entitled Russian Laughter will present comedies directed by Yakov Protazanov, selected by Peter Bagrov of Gosfilmofond in Moscow.
Die Nibelungen (1924)
Die Nibelungen (1924)
  • The Canon Revisited, curated by Paolo Cherch Usai, is always popular and this year will feature Raoul Walsh’s gangster drama Regeneration (1915), both parts of Fritz Lang’s Die Nibelungen (1924) and Pudovkin’s epic Storm over Asia (1928). Also: GW Pabst’s Die Liebe der Jeanne Ney (1927) and Mauritz Stiller’s Herr Arnes Pengar (1919)
  • Hand-coloured films by George Méliès will be shown by AIRSC .
  • New discoveries and restorations at the festival this year will include Conrad Wiene’s adaptaion of Tolstoy’s The Power of Darkness (1924).
Battleship Potemkin (1925)
Battleship Potemkin (1925)
  • And finally … the sound version, yes sound version of Battleship Potemkin – a 1930 German release with a soundtrack recorded on disc.
  • Want more? This Nitrateville post from a few weeks ago contains a few extra titles – some of which are very exciting indeed. Premature? Out of date? Who knows? More fuel for the rumour mill, anyway.

Register for the Giornate here.

Advertisements

One thought on “Le Giornate del Cinema Muto 2014: Pordenone promises”

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s