Tag Archives: Alison Strauss

The Silent London Poll of 2021: And the winners are …

It may already feel like a long time ago, but 2021 was one heck of a year. We were online, we were in-venue, sometimes we were both. But we were all grateful for the films, and the music. Below, it gives me great pleasure to reveal your chosen favourites, and a selection of your insightful and amusing comments too.

Thank you for your votes. Here are your winners!

  1. Best real-world silent film screening of 2021

Your winner: Casanova (1927), accompanied by the Orchestra San Marco, conducted by Günter Buchwald, playing his new orchestral score

You said:

Casanova at Teatro Verdi, by Gunther Buchwald. But I also want to mention: Shoes at the Frankfurt Schauspiele with Maud Nelissen trio and also Bett und Sofa at open-air Beykoz Kundura Istanbul with Korhan Futaci and his band.”

“I only saw one (down from pre-pandemic 30 or 40 a year). So that one wins! It was a goodie though. Pandora’s Box, 35mm, Hebden Bridge, with Darius Battiwalla. Well worth the terrifying road trip over icy moors!”

2. Best online silent film screening of 2021

Prix de Beauté (Augusto Genina, 1930)
Continue reading The Silent London Poll of 2021: And the winners are …

Hippodrome Festival of Silent Cinema 2014: reporting back

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Bo'ness #hippfest

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Silent London podcast: Hippodrome Festival of Silent Cinema 2014

I’ve just returned from the Hippodrome Festival of Silent Cinema in Bo’ness, Falkirk. It’s a fantastic event – I really enjoyed myself and only wish I could stay longer. To give you a flavour of the weekend, if you missed out this time, here’s a mini-podcast and a selection of social media updates too. Surely there is no cooler hashtag for a #silentfilm event than #hippfest?

Hats off to Alison Strauss and her team and Falkirk Community Trust to – Hippfest is a triumph.

UPDATE: Here’s my Hippfest report for the Guardian film blog
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The 11 best silent movie dance sequences

Silents by numbersThis is a guest post for Silent London by Alison Strauss, director of the Hippodrome Festival of Silent Cinema, Bo’ness. The Silents by Numbers strand celebrates some very personal top 10s by silent film enthusiasts and experts.

Our Dancing Daughters (1928)
Our Dancing Daughters (1928)

Our Dancing Daughters (1928, Harry Beaumont)

The moment when fun-loving flapper Joan Crawford launches herself on to the dance floor and sets the party alight with a high-tempo Charleston, ripping her skirt to a more liberating length as she goes.

Danse Serpentine (1896, Auguste and Louis Lumiere)

The 45-second kaleidoscopic record of a vaudeville dance – created by pioneering dancer Loie Fuller – in which an anonymous performer elegantly whirls her arms in the long-flowing fabric of her costume to mesmerising effect, thanks to the immaculate hand-tinting work of the Lumiere Brothers’ army of finely skilled women behind the scenes.

Pandora’s Box (1929, Georg Wilhelm Pabst)

Trained dancer and former Ziegfeld Follies girl, Louise Brooks is electrifying as Lulu, especially when, with all eyes on her, she takes to the floor at her own wedding with yet another admirer – a female guest – and the pair dance in a sexually charged vertical embrace.

The Four Horsemen of the Apocalypse (1921, Rex Ingram)

Another raunchy tango, this time with Rudolph Valentino in a sequence that launched him as a legend.  The woman in Julio’s arms submits to his overpowering masculinity in this iconic routine that set the standard for all subsequent movie tangos.

(Watch from 14 mins, 50 seconds)

That’s My Wife (1929, Lloyd French)

Stan Laurel is persuaded by Oliver Hardy to masquerade as his wife in order to secure the bequest of a rich uncle.  In one of the funniest sequences Stan, looking lovely in an evening gown, dances the two-step with Ollie in an effort to shimmy a stolen necklace down through his undergarments!

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