Tag Archives: hippfest

Back in Bo’ness: the 2017 Hippodrome Festival of Silent Cinema

Thwack! Did you hear that? It’s the sound of the latest Hippfest programme landing on the digital doormat. I’m a big fan of Hippfest, a welcoming event, with an ambitious, highly entertaining, lineup of screenings and a frankly beautiful venue. If I could, I’d turn the Scottish thermostat up a couple of notches next month, because this southern softie will be back in Bo’ness for the festival, which runs from 22-26 March 2017, and takes place mostly in the town’s gorgeous vintage cinema, the Hippodrome.

As the schedule is announced today, that means the tickets are on sale already, and if something here catches your eye, book as soon as you can – Hippfest screenings can, and very often do, sell out.

nell-shipman

So what’s on offer this year? The first day is devoted to female film pioneers, a subject close to my own heart: with a talk from film expert Ellen Cheshire, and an evening screening of Nell Shipman’s The Grub Stake (1923), with a brand new score from Jane Gardner and an introduction by yours truly. Read more about the amazing Nell Shipman here.

The Goddess (1934)
The Goddess (1934)

Thursday afternoon brings a Chinese double-bill – a lecture on the women of Chinese silent cinema by Professor Paul Pickowicz, and a screening of the BFI’s revelatory archive compilation Around China with a Movie Camera, introduced by composer Ruth Chan. On that subject, watch out for the Saturday afternoon screening of an unmissable Chinese silent, The Goddess (1934) starring Ruan Lingyu as a mother in a terrible predicament, with music by John Sweeney.

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Silent London hits the road

 

London’s great, it really is, but sometimes a blogger has to seek wider horizons. So this year I will be packing up my laptop and getting my soy cappuccino to go. I’m hitting the road to report on the silent film festival circuit – more of which anon – and I may possibly be popping up in a cinema near you.

First, an exciting announcement! The British Silent Film Festival is back this year. We have dates and a venue confirmed – 14-17 September 2017, at the Phoenix in Leicester – but no more news yet. Barring flood or fire, I’ll be there, and I recommend that you attend also.

Shoes (1916)
Shoes (1916)

Before that, however, I’ll be introducing two fantastic silent films by female directors at venues that couldn’t be much further from Leicester, and each other.

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Hippfest ever after: the 2016 Hippodrome Festival of Silent Cinema

When the glasses were clinking and plans were being made at the close of the Hippodrome Festival of Silent Cinema this year, there was one thing that gave us pause. A sobering thought among the celebrations…

2016, it seemed, was the year of the unhappy ending. From the high tragedy of Stella Dallas, to the poignancy of Peter Pan, the sweet irony of Exit Smiling, and the apocalyptic predictions of Wunder der Schöpfung – there was not a happy-ever-after in sight. And don’t get me started on Variety, Mania or Daybreak

But despite that, I was grinning like a loon for most of the weekend. Hippfest offers a warmer welcome than most film festivals, but crucially, it has the quality to match its quirkiness. An excellent range of films, screened with accompaniment from some of the world’s best silent cinema musicians. The vintage cinema may be cute, but the festival itself is seriously credible. Here’s a flavour of the fun we had in Bo’ness this year.

See you next year!

Hippfest returns: the 2016 Hippodrome Festival of Silent Cinema

It might be the northern welcome, it could be the gorgeous vintage cinema, but it’s probably the combination of great films and first-class music … the Hippodrome Festival of Silent Cinema is a highlight of our calendar. This year’s festival runs from 16-21 March 2016 and excitingly, the programme has just dropped!

Exit Smiling (1926)
Exit Smiling (1926)

This means you can start booking your tickets now and believe me, these events often sell out, so act fast.

Mania: History of a Cigarette Factory Worker (1918)
Mania: History of a Cigarette Factory Worker (1918)

The full programme is online here, so you can have a proper browse, but the lineup includes:

  • One of the greatest films of all time, Dovzhenko’s Earth, is the opening night gala, with a brand new score from Jane Gardner and Hazel Morrison.
  • Camera acrobatics in Dupont’s thrilling love-triangle drama Varieté starring Emil Jannings and Lya di Putti, with Stephen Horne and Frank Bockius providing excellent, multilayered accompaniment.
Variety (1925)
Variety (1925)
  • The hilarious Exit Smiling starring Beatrice Lillie (“the funniest woman of our civilisation,” according to Noël Coward) as an aspiring stage star in a shabby touring company, with the ever-brilliant Neil Brand on the piano. That’s the Friday night gala with an introduction by Bryony Dixon – and the perfect excuse to dress up.
  • The unbeatable tearjerker Stella Dallas (the 1925 version), with a new score by Stephen Horne performed by himself and Elizabeth-Jane Baldry, and an introduction by your own humble correspondent.
Peter-Pan-1924
Peter Pan (1924)
  • Intergalactic German space documentary Wunder der Schöpfung screens with a wild soundscape score by Herschel 36 (who will be talking about how they wrote their score in another event at the festival) on Saturday night.
  • Late Chinese silent Daybreak, starring Li Lili, with accompaniment by John Sweeney. This screening will be supported by a talk on early Chinese Cinema, which is sure to be illuminating.
Earth (1930)
Earth (1930)
  • My own favourite film star, Pola Negri, in one of her early German films, Mania, with music from kraut-rock band Czerwie.
  • Reel rations – Bryony Dixon’s tour of British propaganda films from the Great War.
  • Herbert Brenon’s charming, inventive Peter Pan, with an acclaimed live score by harpist Elizabeth-Jane Baldry.
Stella Dallas (1925)
Stella Dallas (1925)
  • British train crash drama The Wrecker – screened at Bo’ness train station!
  • Comedy! Courtesy of a Laurel & Hardy triple-bill, as well as Buster Keaton in My Wife’s Relations and Anita Garvin and Marion Byron in A Pair of Tights.

To book for any and all of these events – head to the Hippfest website.

Hippfest 2015: a barnstorming weekend in Bo’ness

Bye bye Bo'ness #hippfest

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“If a cinema could give you a hug, this is what it would feel like.” That’s how Bryony Dixon described the Hippodrome Festival of Silent Cinema in Sight & Sound last year, and as usual, she’s not wrong.

This year I returned for my second trip to the festival, now in its fifth year, and the welcome was warm, the music was fabulous, the films magnificent and the crowds enthusiastic.

It’s a tribute to Ali Strauss, Shona Thomson and all the team behind Hippfest that this small town in Scotland draws silent movie fans from across the country (and the globe) as well as introducing the locals to the delights of EA Dupont, Mikhail Kalatazov and Buster Keaton. I had a stonking time in Bo’ness this year, and would recommend the festival to anyone who loves movies, music and merriment.

Here’s what I took home from Hippfest this year:

A tan. Well, a vitamin D topup at least. I made all the usual wry comments about “sunny Scotland” in the runup to my trip, but Bo’ness was truly bonny this weekend, and my, the Firth of Forth looks stunning in the sunshine.

Synthetic Sin (1929)
Synthetic Sin (1929)

More recruits for the Colleen Moore fanclub. It was an absolute honour for me to introduce the Friday night gala screening of Synthetic Sin – and I just knew that Ms Moore would charm the spats off the assembled audience. It was a fantastic screening, with raucous laughter threatening to drown out Neil Brand’s spirited accompaniment at times. All the gala shows were sold out – well almost all of the events were – which I think goes to show that people are prepared to take a chance on films, and stars, that they haven’t heard of before. I’m not sure the Hippodrome crowd will forget Colleen in a hurry though.

The fear of God. Well, flippancy aside, I was looking forward hugely to the Thursday night screening of William S Hart western Hell’s Hinges, not least because it would be scored by those groovy cats the Dodge Brothers. But as the band struck up and immediately began crooning “Satan is real” a shiver ran down my spine. The movie provided fire and brimstone, and the Brothers gave it space to breathe and fan those flames. A massively atmospheric screening, and a wonderful opener to my festival. So few people get a chance to see a pre-1920s film on the big screen at all – let alone with so much added cool.

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Hippodrome Festival of Silent Cinema 2014: reporting back

Bo'ness #hippfest

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Silent London podcast: Hippodrome Festival of Silent Cinema 2014

I’ve just returned from the Hippodrome Festival of Silent Cinema in Bo’ness, Falkirk. It’s a fantastic event – I really enjoyed myself and only wish I could stay longer. To give you a flavour of the weekend, if you missed out this time, here’s a mini-podcast and a selection of social media updates too. Surely there is no cooler hashtag for a #silentfilm event than #hippfest?

Hats off to Alison Strauss and her team and Falkirk Community Trust to – Hippfest is a triumph.

UPDATE: Here’s my Hippfest report for the Guardian film blog
Continue reading Hippodrome Festival of Silent Cinema 2014: reporting back