Boris Barnet | Silent London

This is a guest post for Silent London from Michelle Facey AKA The Bioscope Girl to tell you about some exciting silent cinema events scheduled for London and online now that the Giornate has come to an end.

Well, my silent film lovelies, its been a long time coming. Those who’ve been to the 40^th Giornate del Cinema Muto in Pordenone are now home or wending their ways back around the world. I’m sorry that myself and others who form the steering Kennington Bioscope team, apart from John Sweeney of course, essential to festival proceedings, felt unable to be there on this occasion, but hopefully next year we’ll all reunite around the Verdi and the Posta. At least we were able to join in online and keep abreast of all the essentials of the physical fest, via the insights, intertitles and general Giornate goss of Silent London’s much welcomed daily blogs, written by Italian moonlight. We missed being with everyone there and kindly, several of you let us know throughout the week that you missed us too.

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The Russians are coming to the BFI Southbank. In the year that sees the release of the restored Soviet classic Battleship Potemkin, the BFI is exploring Russian cinema with a seven-month programme: two months will be spent travelling through Russian cinema history, followed by a season of science-fiction and space documentaries, and a final season devoted to the director Alexander Sokurov.

It’s the first month that mostly concerns us, and the BFI is showing 12 silent features, plus a programme of early shorts (all playing twice) and a couple of educational events. That’s alongside Potemkin’s extended run and two special screenings with live scores (Eisenstein’s The Old and the New and Pudovkin’s Storm Over Asia). Plus, don’t forget that Eisenstein’s October is on in April. It could be a little daunting, so here’s the Silent London guide to what’s on when and what it’s all about.

Some of these films are very rarely seen, or at least very rarely seen on the big screen. That’s a polite way of saying that a couple of them are the kind of favourites that do come round fairly regularly. Which is not to say that you should give them a miss, but this is a good opportunity to see some Russian rarities, so pick your screenings wisely. Unless, of course, you plan to see everything, in which case I tip my (fur) hat to you.

Continue reading Kino: Russian Film Pioneers season at BFI Southbank, May 2011 →