I should say this through gritted teeth, but Bristol is rapidly becoming Britain’s most cinematic city. Designated a UNESCO City of Film in 2017, its reputation for great cinema screenings and heritage is growing and growing. One of the newest, shiniest gems in its movie crown is Cinema Rediscovered, a kind of West-Country offspring of Bologna’s Il Cinema Ritrovato, which takes place every July at venues including the Watershed cinema in the city centre.
Disclaimer time: First, I am working with this festival again this year, and second, it’s not all silent. But genuinely, it’s one of the most exciting and ambitious archive cinema events in the country. Taking place from 25-28 July, Cinema Rediscovered will screen films ranging from the earliest experiments of Victorian cinema to a new 4K restoration of Chan-wook Park’s classic revenge thriller Oldboy (2003).
Other restorations on show include the landmark documentary Hoop Dreams (1989) and Márta Mészáros’ 1975 Berlinale Golden Bear winner Adoption (1975). There are strands devoted to the extraordinary films of legendary British director Nicolas Roeg, as well as to Nigerian director Moustapha Alassane and to feminist filmmaker Maureen Blackwood, who was the first black British woman to have a feature film theatrically released in the UK, The Passion of Remembrance (1986). Cinema heritage doesn’t always look like a pantheon of dead white men. Continue reading Back to Bristol: Cinema Rediscovered 2019→
In case you are wondering, this is the correct order of business, in my humble opinion: watch the film, then read the book, then watch the film again. Repeat as required and enjoy!
So I have a few dates and venues confirmed, where you can come along, watch the film, with an introduction or Q&A from moi, and if you feel so inclined, buy a copy of the book (very reasonably priced, lots of pictures). It would be great to see some Silent Londoners in the audience. As more dates are arranged, I’ll add them to this post, but as ever, pay attention to the Silent London social media channels to get the breaking news.
So far, ALL these screenings are 35mm projections with live musical accompaniment. Because if a thing is worth doing, it’s worth doing properly. And seeing Pandora’s Box on the big screen is definitely a thing worth doing.
Here at Silent London we are big, BIG, fans of the Slapstick Festival in Bristol. It is a friendly, wide-ranging event, run by beautiful people, in a great city – and it always tickles our funnybone.
If you’ve ever been lucky enugh to attend you’ll know that it is a pretty special special festival, which doesn’t cut corners. Top-quality prints are shown accompanied by first-rate musicians and introduced by people who are experts or celebrities – or sometimes both.
And that’s not easy in these tricky times, so this year the Slapstickers are asking for a little help, from you. The Slapstick festival crew have launched a Kickstarter appeal to cover some of their costs, and they would love it if you could support them. The money will go to very good causes including more live music and affordable tickets for kiddies. As it’s a Kickstarter your assistance will be rewarded by some fabulous gifts, from kazoos to custard pies to the chance to meet a VIP – even Morph himself!
As for the more tradtional way of showing your support, tickets are now on sale for the festival gala, which will feature Chaplin’s wonderful The Kid among other treats.
The funniest weekend of the year is back: Bristol’s own rib-tickling Slapstick Festival. This year marks not only the 10th year of the festival but, as you all very well know, the 100th anniversary of Chaplin’s iconic Little Tramp. The Slapstick Festival will be celebrating the tramp in fine style with an orchestral gala screening of the the wonderful City Lights (1931), recently voted into the Top 10 Silent Movies by the Guardian and Observer. The screening will be introduced by comedian Omid Djalili and music will be provided by the 39-piece Bristol Ensemble.
There’s a full weekend of funny films beyond the Chaplin too. Check the listings below for details. Notable screenings inlcude the Societ laugh-riot The Extraordinary Adventures of Mister West in the Land of the Bolsheviks (1924), the rarely shown Raymond Grifffith romp Hands Up! (1926) and a chance to see Constance Talmadge in Her Sister From Paris (1925). And don’t miss Harold’s Lloyd’s classic Safety Last! (1923) with Radio 4’s Colin Sell on the piano.
More treasures are to be found in the talks and lecture events: David Robinson on the Tramp, Kevin Brownlow on Chaplin and the Great War, all three Goodies on Buster Keaton and Graeme Garden delving into the work of German Jewish comic Max Davidson.
There will be some modern work featured too: from Wallace & Gromit (naturally) to The Meaning of Life and Withnail & I. Yes, Tim Vine will be offering a tribute to Benny Hill too!
The 10th Slapstick Festival will be held at various venues across Bristol from 24-26 January 2014. Visit the website for more details, or read on for full listings and ticket information.
Birds Eye View is one of Silent London’s favourite film festivals – a celebration of female film-makers with an exceptionally strong and musically adventurous silent cinema strand. Last year, even though the festival was on haitus, the Sound & Silents programme brought us a selection of newly scored Mary Pickford films. This year, in keeping with the overall theme of the festival, the screenings have an Arabian flavour.
The two films in the Sound & Silents segment are, to be frank, German – but the first, Lotte Reiniger’s trailblazing cutwork animation The Adventures of Prince Achmed (1926) is based on a story from 1,001 Arabian Nights, as also, perhaps more loosely, is the second, Ernst Lubitsch’s boisterous harem farce Sumurun (1920). Achmed, widely acknowledged as the first animated feature film, and still as elegantly beautiful today as in the 1920s, probably needs no introduction from me.
The latter film is a slightly guilty pleasure of mine – a rather well-made romp, enlivened by the sinuous presence of the young Pola Negri, and the more demure charms of Swedish ballerina Jenny Hasselqvist. Lubitsch himself appears as a leery clown with hunchback, but his real star turn is behind the camera, crafting a fast-paced and vivacious comedy out of unpromising material. Sumurun had been a stage hit for Max Reinhardt’s company in Berlin, and Negri had starred in both that production as well as one back in her hometown of Warsaw – perhaps it’s therefore no surprise that this film is so slick, with such larger-than-life performances, including Paul Wegener as a bully-boy sheik. I will concede, of course, that it is rarely, if ever, politically correct.
Sound & Silents is as much admired for its musical commissions as its programming, and it’s intriguing that these German Arabian pastiches will be accompanied by scored from musicians whose roots lie in both Western Europe and the Middle East – British-Lebanese Bushra El-Turk and Sudanese-Italian Amira Kheir.
Multi-award-winning contemporary classical composer Bushra El-Turk creates a new work for a chamber ensemblecombining classical Western and traditional Middle Eastern instrumentation, accompanying The Adventures of Prince Achmed, the world’s first feature-length animation. Currently on attachment to the London Symphony Orchestra’s Panufnik Programme, British-Lebanese El-Turk’s acclaimed work has also been performed by the BBC Symphony Orchestra and London Sinfonietta.
Singer, musician and songwriter Amira Kheir blends contemporary jazz with East African music for a multi-instrumental 5-piece band, scoring landmark fantasy-drama Sumurun (One Arabian Night). Kheir has recently won acclaim for her ‘beautiful and fearless’ (Songlines) first album and her BBC Radio 3 and London Jazz Festival debuts.
I hate to admit it, but there are good reasons to leave London sometimes. Bristol, for example, can lay a good claim to being the capital of silent cinema in this country, thanks mostly to the year-round efforts of the marvellous people at Bristol Silents. Indeed, come January there is nowhere finer for the discerning silent comedy fan to be. The annual Slapstick Festival is a four-day, multi-venue extravaganza of comedy, mostly of the silent era, presented by comedians and experts – and accompanied by live music.
The 2012 Slapstick Festival will take place from 26-29 January 2012, and the full lineup has just been announced. Yes, there will be some more recent comedy courtesy of gala screenings featuring Dad’s Army, Monty Python and the French film-maker Pierre Étaix. But Slapstick Festival is noted for its passionate endorsement of silent comedy, and it’s here in spades.
Kevin Brownlow will be talking about Buster Keaton and showing footage from his documentary A Hard Act to Follow, while Griff Rhys-Jones will introduce a night of silent comedy including a screening of The General at Colston Hall with music from Günter Buchwald and performed by The European Silent Screen Virtuosi and Bristol Ensemble. On the last day of the festival, Bill Oddie, Tim Brooke-Taylor, Ian Lavender and Barry Cryer will also introduce their favourite Buster Keaton shorts.
Historian David Robinson will give an illustrated lecture, with clips, on Charlie Chaplin and also discuss his work with fan and comedian Sanjeev Bhaskar; Barry Cryer will present a Harold Lloyd double-bill and Graeme Garden will make a case for the debonair Charley Chase. David Wyatt will give two presentations: one talking about lesser-known silent comics such as Max Davidson and Larry Semon and the other on the spoofs and parodies rife in silent-era comedy.
Slapstick Festival events will take place in Colston Hall, the Watershed Cinema and the Arnolfini Arts Centre, Bristol from 26-29 January 2012. See the Slapstick Festival website for more details and to book tickets.
And don’t forget, the Slapstick Festival has its own real ale, brewed locally, especially for the event. The launch of the Slapstick Beer takes place at the Victoria Pub, Clifton on Friday 9 December at 7.30pm. Details on Facebook.
Disappointing news this week, as Birds Eye View announced that it will not be putting on a festival in 2012, due to a cut in its public funding. You can read more about the announcement here. This is a real shame for many reasons, not least the festival’s track record of commissioning cutting-edge scores for silent films from some wonderful musicians.
To tide us over while we wait for the festival’s no-doubt triumphant return in 2013, Birds Eye View will be staging some one-off events, including a touring programme of highlights from its fantastic Sound & Silents strand. You’ll see these popping up on the Silent London calendar, and on Facebook and Twitter as they are announced, but here are a couple for your diary straight away.
Blue Roses will perform her score for Dr Jekyll and Mr Hyde at the Arnolfini in Bristol on 18 February 2012. Tickets will be on sale soon.
Imogen Heap and the Holst Singers will present their soundtrack to The Seashell and the Clergyman at the Roundhouse in London on 26 February 2012 and at the Sage, Gateshead on 27 February 2012. Tickets for the London show are on sale now.
For more information, visit the Coming Soon section of the Birds Eye View website.
“Plot – The Boy is in love with The Girl – the rest just happens”*
This is not a review of the Bristol Slapstick Festival, just a note to say what a Good Thing it is, and to give you a flavour of this celebratory yet educational event. I was only able to visit about a quarter of the festival this year – in 2012 hopefully I will get to see more.
To hear, and be part of, a theatre full of people guffawing at Charlie Chaplin pretending to fall down a staircase in 1916 is immense fun, and inspirational too. How many people, how many times in how many places have laughed at the same scene? Talk about a gift to the world. In my brief visit to Bristol, I saw Harold Lloyd, WC Fields, Clara Bow, Laurel and Hardy, Harry Langdon, Chaplin and Buster Keaton – all of whose films can still have audiences in stitches today, but sadly aren’t seen too often any more. Not only was it a treat to see these films, but it was a privilege to watch them with the benefit of introductions and lectures by experts and fans – Ian Lavender on Keaton and Graeme Garden on Langdon were particular delights as, of course, was Kevin Brownlow’s talk before Mantrap.
What can I say? My only regret is that I couldn’t stay longer – the full programme looked very intriguing, Bristol is a great city and I met some lovely people on my trip. I’d recommend the Slapstick Festival wholeheartedly to silent film fans, but also to people who enjoy laughing, which should be all of you I reckon.
The Slapstick Festival website is here, you can follow related tweets via the hashtag #slapstickfest and read The 24th Frame’s day-by-day blog of the festival here.
*Taken from an intertitle on Harold Lloyd’s Get Out and Get Under, but this caption applied to 99% of the films at the Slapstick Festival, and it made me smile.
As Bristol gears up for its annual Slapstick Festival (reported on these pages elsewhere), I thought I would share with you a couple of interesting events they’ve got lined up before the main attraction, which kicks off on 28 January. First off, the Bristol Silents club is screening The Extra Girl (1923) starring Mabel Normand, on 12 January, 7.30pm at the Old Picture House. The screening is totally free and will be introduced by film historian David Robinson. Full details are available on the Bristol SilentsFacebook page.
Bristol is only three hours away on the train, so we couldn’t resist bringing this weekend of silent slapstick to your attention. The Slapstick Festival runs from 27-30 January across several venues in the city.
There’s a Gala Event on the Friday night featuring Barry Cryer, Ian Lavender, Neil Innes and Bill Oddie. Other highlights in the festival, as far as Silent London is concerned, include Kevin Brownlow introducing some unseen Chaplin footage on the Thursday, Mantrap starring Clara Bow on Friday, and Rediscoveries and Revelations!, a bonanza of lost films on Sunday morning.