Tag Archives: Lev Kuleshov

Hippfest 2017: the Silent London Podcast

Thank you to the Hippodrome Silent Film Festival for another great week/end of music and movies in a very warm and sunny Bo’ness. I was there from Wednesday to Saturday and here’s my podcast report from the event, now in its seventh year.


From Nell Shipman’s The Grub Stake and Lorenza Mazzetti’s Together to Marion Davies and Marie Dressler in The Patsy, Ruan Lingyu in The Goddess and Aleksandra Khoklova in By the Law there was a special emphasis on the women of silent cinema at this year’s festival. But the programme as a whole was far too diverse to summarise here. I hope you enjoy hearing all about it – especially if you were lucky enough to be here.

Hippfest 2017: the Silent London Podcast

Big thanks to the Hippodrome cinema and to the festival, but also to the lovely people of Bo’ness, the Richmond Park Hotel, the Corbie Inn and my absolute favourite, the Ivy Tea Room.

Help Hippfest buy a piano here.

The Silent London Podcast is available on iTunes. Go there for more details and to subscribe – if you like what you hear, please leave a rating or review too. The intro music is by kind permission of Neil Brand, and the podcast is presented in association with SOAS radio. The other music you can hear on this podcast was written and performed by Maud Nelissen and the Sprockets for the Hippodrome Festival.

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Back in Bo’ness: the 2017 Hippodrome Festival of Silent Cinema

Thwack! Did you hear that? It’s the sound of the latest Hippfest programme landing on the digital doormat. I’m a big fan of Hippfest, a welcoming event, with an ambitious, highly entertaining, lineup of screenings and a frankly beautiful venue. If I could, I’d turn the Scottish thermostat up a couple of notches next month, because this southern softie will be back in Bo’ness for the festival, which runs from 22-26 March 2017, and takes place mostly in the town’s gorgeous vintage cinema, the Hippodrome.

As the schedule is announced today, that means the tickets are on sale already, and if something here catches your eye, book as soon as you can – Hippfest screenings can, and very often do, sell out.

nell-shipman

So what’s on offer this year? The first day is devoted to female film pioneers, a subject close to my own heart: with a talk from film expert Ellen Cheshire, and an evening screening of Nell Shipman’s The Grub Stake (1923), with a brand new score from Jane Gardner and an introduction by yours truly. Read more about the amazing Nell Shipman here.

The Goddess (1934)
The Goddess (1934)

Thursday afternoon brings a Chinese double-bill – a lecture on the women of Chinese silent cinema by Professor Paul Pickowicz, and a screening of the BFI’s revelatory archive compilation Around China with a Movie Camera, introduced by composer Ruth Chan. On that subject, watch out for the Saturday afternoon screening of an unmissable Chinese silent, The Goddess (1934) starring Ruan Lingyu as a mother in a terrible predicament, with music by John Sweeney.

Continue reading Back in Bo’ness: the 2017 Hippodrome Festival of Silent Cinema

Kino: Russian Film Pioneers season at BFI Southbank, May 2011

Strike (1925)
Strike (1925)

The Russians are coming to the BFI Southbank. In the year that sees the release of the restored Soviet classic Battleship Potemkin, the BFI is exploring Russian cinema with a seven-month programme: two months will be spent travelling through Russian cinema history, followed by a season of science-fiction and space documentaries, and a final season devoted to the director Alexander Sokurov.

It’s the first month that mostly concerns us, and the BFI is showing 12 silent features, plus a programme of early shorts (all playing twice) and a couple of educational events. That’s alongside Potemkin’s extended run and two special screenings with live scores (Eisenstein’s The Old and the New and Pudovkin’s Storm Over Asia). Plus, don’t forget that Eisenstein’s October is on in April. It could be a little daunting, so here’s the Silent London guide to what’s on when and what it’s all about.

Some of these films are very rarely seen, or at least very rarely seen on the big screen. That’s a polite way of saying that a couple of them are the kind of favourites that do come round fairly regularly. Which is not to say that you should give them a miss, but this is a good opportunity to see some Russian rarities, so pick your screenings wisely. Unless, of course, you plan to see everything, in which case I tip my (fur) hat to you.

Continue reading Kino: Russian Film Pioneers season at BFI Southbank, May 2011