Tag Archives: End of year poll

The Silent London Poll of 2024: And the winners are …

January 31, 2025 PH 2 Comments

Thank you for bearing wth me during ~~a few~~ several technical glitches related to this year’s poll. Relax, enjoy your glass of wine-flavoured carbonated beverage, and welcome to our glittering award ceremony. I have counted the votes, and I am ready to announce the winners of the Silent London Poll of 2024!

Congratulations to all the people mentioned below – as ever, these categories were bursting at the seams with excellent, worthy nominations and a great reminder of how exciting the global silent film scene is. Thank you for all your votes, and your comments, especially.

Without further ado, let me open this giant stack of golden envelopes. Here are your winners.

1. Best orchestral silent film screening of 2024

Your winner: The Winning of Barbara Worth (Henry King, 1926), with a score composed by Neil Brand, arranged by George Morton, conducted by Ben Palmer, performed live by the Orchestra da Camera di Pordneone, at Giornate del Cinema Muto, Pordenone

I said: “t’s a big, big movie, with the youthful star trio of Ronald Colman (on $1,750 a week), Vilma Banky (on $1,000 a week) and Gary Cooper (on $50 a week!) in a desert love triangle, and a tremendously terrifying climax, as the townsfolk run for their lives when the river bursts its manmade bounds. Plus we were to enjoy the world premiere of a wondrous new score composed by Neil Brand, arranged by George Morton, conducted by Ben Palmer, and performed live tonight by the Orchestra da Camera di Pordenone. If you know the film you will know that it is celebrated for its scale, but also that this is a Frances Marion script, with a touch of melodrama (Vilma overhearing Ronald’s confession that he won’t propose to her, but not the reason why), her pet subject of adopted children, and her love of a grand theme – here the pioneers’ battle for mastery over the elements, and capitalism’s battle for mastery over the populace. You’ll also know that between the big action scenes there are several more sedate moments, discussions of policy and payroll. As, quite frankly, we have come to expect, Brand’s score was buoyant and nimble, keeping the film on its toes, teasing out the romance and flooding (yes, I went there) the auditorium with sound during those blockbuster setpieces, starting with a sandstorm in the first reel and the deluge in the last. Timed to a T, so that image and sound met in perfect harmony, and just a joy to listen to – for what it’s worth, I think it’s a winner. Geddit?”

Lillian Gish in The Wind (1928)

2. Best silent film screening with a solo musician or small ensemble of 2024

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The Silent London Poll of 2023: And the winners are …

January 26, 2024 PH Leave a comment

I may be a humble blogger typing at my desk, but just imagine I am a glamorous celebrity cracking first-rate jokes while wearing a designer ballgown. I have counted the votes, and I am ready to announce the winners of the Silent London Poll of 2023!

Congratulations to all the people mentioned below – as ever, these categories were bursting with great nominations. Thank you for all your votes, and your comments, which remind us all of the passion for silent film out there.

Without further ado, let me open this giant stack of golden envelopes. Here are your winners.

1. Best orchestral silent film screening of 2023

Your winner: Stella Dallas (Henry King, 1925), with a score composed by Stephen Horne, orchestrated by Ben Palmer and performed by Orchestra del Teatro Comunale directed by Timothy Brock, in the Piazza Maggiore Bologna, as part of Il Cinema Ritrovato

I said: “Before Monday night’s screening of the original 1925 adaptation of Olive Higgins Prouty’s weepie, some people in Bologna were still dropping the names of Barbara Stanwyck and King Vidor. After Monday, the talk of the town was only Belle Bennett, Henry King and Stephen Horne, whose marvellous score, alongside Bennett’s impeccable performance, left the piazza awash with tears. Horne has long championed this film, as have I, and the new restoration from MOMA is a very welcome, and beautiful thing. I really hope more people get to see this wonderful film now. Silent melodrama really can be the very finest melodrama.”

Honourable mention: Lady Windermere’s Fan (Ernst Lubitsch, 1925), at the same festival, with Timothy Brock’s new orchestral score.

2. Best silent film screening with a solo musician or small ensemble of 2023

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The Silent London Poll of 2022: And the winners are …

January 25, 2023 PH 2 Comments

Well done everyone! The Silent London Poll of 2022 had a record-breaking number of votes, and the winners reflect a thriving, international silent film scene. Congratulations to all the people mentioned below, some of these categories were bursting with great nominations. Thank you for all your votes. And for making me blub a little when I was typing this up.

Without further ado, let me open this giant stack of golden envelopes. Here are your winners!

1. Best orchestral silent film screening of 2022

Your winner: The Manxman (Alfred Hitchcock, 1929), with a score composed by Stephen Horne, orchestrated and conducted by Ben Palmer and played by Orchestra San Marco di Pordenone, with soloists Louise Hayter and Jeff Moore, at Le Giornate del Cinema Muto, Pordenone.

I said: “Horne’s music is as deft as Hitch’s camera: always gorgeous, but sometimes delicate and other times thick with portents of doom… Needless to say, Hitch and Horne brought the Verdi to its feet once more.

Honorable mention: The Unknown (Tod Browning, 1927) with a score conducted and composed by José María Serralde Ruiz, performed by Orchestra San Marco di Pordenone, , at Le Giornate del Cinema Muto, Pordenone.

2. Best silent film screening with a solo musician or small ensemble of 2022

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The Silent London Poll of 2021: And the winners are …

February 11, 2022 PH 6 Comments

It may already feel like a long time ago, but 2021 was one heck of a year. We were online, we were in-venue, sometimes we were both. But we were all grateful for the films, and the music. Below, it gives me great pleasure to reveal your chosen favourites, and a selection of your insightful and amusing comments too.

Thank you for your votes. Here are your winners!

Best real-world silent film screening of 2021

Your winner: Casanova (1927), accompanied by the Orchestra San Marco, conducted by Günter Buchwald, playing his new orchestral score

You said:

“Casanova at Teatro Verdi, by Gunther Buchwald. But I also want to mention: Shoes at the Frankfurt Schauspiele with Maud Nelissen trio and also Bett und Sofa at open-air Beykoz Kundura Istanbul with Korhan Futaci and his band.”

“I only saw one (down from pre-pandemic 30 or 40 a year). So that one wins! It was a goodie though. Pandora’s Box, 35mm, Hebden Bridge, with Darius Battiwalla. Well worth the terrifying road trip over icy moors!”

2. Best online silent film screening of 2021

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The Silent London Poll of 2020: And the winners are …

January 26, 2021 PH 2 Comments

So, 2020 wasn’t a standard year by any stretch, but instead of giving up on the Poll I decided to go ahead with it, to celebrate all the people who kept silent film culture alive in the midst of a global pandemic. And you clearly agreed, because I had far more votes to count this year than last. Here are your winners!

Best real-world silent film screening of 2020

None of us got to the pictures as much as we would have liked in 2020, but nevertheless there were some choice events nominated in this category. Your favourite? Filibus, presented by Hippfest at the The Barony Community Theatre in Bo’ness with accompaniment by Jane Gardner (piano) and Hazel Morrison (percussion).

• Honourable mentions: The Big Parade with Neil Brand at BFI Southbank and Tatjana with John Sweeney at The Kennington Bioscope.

2. Best online SILENT FILM SCREENING OF 2020

Did we ever think we would get used to streaming silents so much? Or that the quality of presentation and music could be *this* good? This was a hotly contested category, but the winner is Penrod & Sam, with Stephen Horne, presented as part of the Pordenone Silent Film Festival online.

As I wrote at the time: “A delightful film, and beautifully accompanied, it left me with just one poignant thought – that this sort of caper is exactly, exactly the kind of film that comes alive when watched with a crowd. The laughter and tears might be heard ‘as deep down as China and as far back as the alley’.”

Honourable mention: Dr Jekyll & Mr Hyde with Neil Brand, presented by Hippfest at Home.

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The Silent London Poll of 2017: vote now!

December 1, 2017 PH 2 Comments

It’s the first day of December, which means two things. Number one, don’t forget to light the advent candle tonight. Two, it’s time to open the Silent London Poll.

Maison-du-mystere — The House of Mystery

You’ve got plenty of time to think about your choices this year – the poll will be open for the next three weeks. But remember that every vote counts.

Are you struggling to remember the festivals, films, and music that you loved the most in 2017? Well take a look back through the pages of Silent London, or the Silent Film Calendar or ithankyou, both of which sites kept up to date with silent happenings all year round.

Remember also that I want to hear about home video releases and books as well as screenings and festivals. And modern silents too – the world didn’t end in 1927.

DietrichCROP — The Woman Men Yearn For (1929)

Leicester you forget, settle down to fill in the survey with a Hipp soundtrack, and perhaps glass of Italian wine, maybe a Shiraz, and try to remember the films and events that changed your appreciation of silent cinema this year. There were laughs. There were tears. There was even a hint of revolution in the air.

As is now traditional, I’m asking for your Silent Hero, and at the suggestion of Mr John Sweeney, I’ll be asking for your favourite intertitle of the year too – just one that made the biggest impression on you.

Don’t be afraid to lobby for your favourites, or to vote for events outside the UK. The poll is now a global affair and the more votes the merrier. Sharing is caring!

Follow this link to fill in the survey – or scroll down and get started straight away.

https://silentlondon.polldaddy.com/s/silent-london-poll-of-2017

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The Silent London 2011 Poll: nominations please

December 4, 2011 PH 27 Comments

It’s not over yet, but 2011 has been a stonking year for silent film with live music in the UK. We’ve had orchestras, skiffle bands, sitars, string quartets and even piano accompaniment, alongside some wonderful films. As is now traditional (almost) I want to celebrate this by asking you for your highlights of the year.

What were the standout silent film and live music shows for you in 2011? The Passion of Joan of Arc with Adrian Utley and Will Gregory’s rock score, or Voices of Light? The BBC Symphony Orchestra playing Neil Brand’s wonderful score for Underground? Stephen Horne’s London Film Festival Archive Gala performance of The First Born? Perhaps you preferred the Dodge Brother’s skiffle soundtrack for Beggars of Life or The Ghost That Never Returns. Maybe you were lucky enough to catch a live performance of Simon Fisher Turner’s experimental music for The Great White Silence, or one of many shows from last year’s winners, Minima. And let’s not forget John Garden’s tour of The Lost World or the Elysian Quartet’s reconstructed score for The Old and the New. There are, of course, far too many to mention here – you may have heard an organ score in a cathedral or museum that you liked, or a piano accompaniment in the BFI that was particularly memorable.

What I’d like to do is to collect your nominations for your favourite show in the UK this year and then I’ll be running a poll on the website in a fortnight’s time. It’s kind of like The X Factor, but not much. So, please, nominate your favourite shows in the comments below, or get in touch on Facebook or Twitter. I can’t wait to find out what you’ve chosen!

Nominations close at noon on Sunday 18 December and the poll should go live on Monday morning.