Tag Archives: Henry King

Ritrovato Roundtable: Il Cinema Ritrovato 2019 podcast

The Bologna suntans are fading but the Il Cinema Ritrovato memories are still vivid. So Peter Baran and I were delighted to be joined on our latest podcast by academic and film programmer Eloise Ross, as well as filmmaker Ian Mantgani and writer Philip Concannon from the Badlands Collective. We’re chatting about our highlights, discoveries and duds from the Il Cinema Ritrovato festival – a feast of archive, vintage and restored cinema, spanning silent and sound films.

Eloise Ross, Ian Mantgani, Peter Baran and Philip Concannon in the podcast studio.
Eloise Ross, Ian Mantgani, Peter Baran and Philip Concannon in the podcast studio.

Maximum effort!

The Silent London Podcast is also available on iTunes and Stitcher. If you like what you hear, please subscribe and leave a rating or review too. The podcast is presented in association with SOAS radio by Peter Baran and Pamela Hutchinson.

Le Chat (1971)

 

Ritrovato Roundtable: Il Cinema Ritrovato 2019 podcast

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Baara (1978)
Baara (1978)

 

Silents in the Piazza: Il Cinema Ritrovato 2019

Buongiorno! I have just returned from a week in Bologna and while sadly I have no tan to show off, I did see a lot of silent films while I was there. What else is there to do in Italy?

As you may know, I was at Il Cinema Ritrovato last week – the international festival of archive cinema par excellence. You can read my tips for doing Ritrovato right here, but this post is all about the silent gems I saw while I was there.

First: a disclaimer. I approach Ritrovato like an omnivore, tasting a little of everything, talkies and all, so this is not an exhaustive report of the silent offering, just the ones that I especially enjoyed.

The Circus (1928)
The Circus (1928)

1928 and all that

Let’s deal with the giants first: Buster Keaton’s freshly restored The Cameraman (1928) and Charlie Chaplin’s The Circus (1928) won a flock of new converts at grand open-air screenings in the Piazza Maggiore. Especially the latter, which I think is one of the very finest of all the silent comedy features. Watch out for the Criterion edition later this year, with a booklet essay by your humble scribe. Continue reading Silents in the Piazza: Il Cinema Ritrovato 2019

Stephen Horne interview: ‘Silent films are constantly surprising’

Stella Dallas (1925)
Stella Dallas (1925)

Anyone who wants to learn more about silent film music will enjoy this. Chandler Bennett recorded this interview with Stephen Horne for KALX Berkeley 90.7FM, the student radio station at Berkeley, University of California earlier this year. It was recorded for the KALX show Film Close-ups – if you like what you hear, bookmark the site as it streams the station’s output online.

In the interview, Chandler asks Stephen about how he started out playing for silent films, and Stephen reveals that The Passion of Joan of Arc was the intimidating first film he ever accompanied. They also discuss the differences between composition and improvisation, and in more detail, the music that Stephen has played and written for Stella Dallas, The Manxman, Prix de Beauté and The First Born. Thanks to Chandler and Stephen for allowing me to post this fascinating conversation here on Silent London.

Listen to the interview here.