Tag Archives: San Francisco Film Preserve

So this is Bologna: Il Cinema Ritrovato XL 2026

What is Il Cinema Ritrovato? A few years back at a Bologna dinner, an important person with far more right to speak on these matters than I have, announced that for them, Il Cinéma Ritrovato was not a festival, but a museum. They spoke eloquently, and sincerely, but honestly I think that is a nonsense. Il Cinema Ritrovato, which has just closed its largest ever, “XL” edition, at the age of 40, is a festival in every sense of the word.

Il Cinema Ritrovato is a celebration, it’s true – so it is a festival according to that fluffy definition. Sitting with the crowds watching classics in Piazza Maggiore or encountering rarely seen gems in the Cinemalibero strand will convince you of that – of the love for cinema that animates all the action. Ritrovato is place of joy, of friendships and new connections. A pleasure to attend, even in a heatwave. 

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Focus on Louise Brooks: a Lulu of a Blu-ray from Flicker Alley and San Francisco Film Preserve

Call me Hedda Hopper*, because I have been keeping this one under my hat for quite some time. Coming on 13 January and available to pre-order now, Focus on Louise Brooks (Flicker Alley) is the perfect way to start your 2026 with a bang, or a pair of bangs, as the case may be. It’s a mutlifaceted tribute to the most iconic silent star of all time!

This gorgeous multiregion Blu-ray contains “a treasure trove of early and rare Louise Brooks performances”, with all the extant material from her early Hollywood films together in one place, newly restored and presented in this very special edition. All this!

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C.A. Lejeune and British film criticism: book and lecture news

You may or may not know this, but when I started Silent London I was working at the Guardian newspaper. So, it was at this time, when I was reading and writing about the silent era, and sitting in the Guardian office (rarely at the same time, I hasten to add) that I first became just a little obsessed with C.A. Lejeune.

Caroline Alice Lejeune, pioneering press film critic, media celebrity, Manchester icon and one half of the Sunday Ladies, with the Sunday Times’s Dilys Powell, is a pet subject of mine. I find her writing to be witty and wise and gentle, and her story, of falling in and out of love with the cinema, to be absorbing and not a little moving. It is also fascinating to me how she first got her job as the first real film critic on the Manchester Guardian, and moved to the Observer for another three decades. So I have been doing a little research. Well a lot in fact.

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