Nobody knows more about Louise Brooks than Thomas Gladysz. Having founded the Louise Brooks Society in 1995, he has spent more than two decades researching her life and work, curating memorabilia and writing about this most fascinating of silent era actresses. A few years back he published a sumptuous illustrated edition of the novel that Brooks’s second German film, Diary of a Lost Girl (G. W. Pabst, 1929) was based on, and he has contributed audio commentaries to American DVDs of that film, and her finest Hollywood movie, Beggars of Life (William Wellman, 1928).
Which brings us up to date with Gladysz’s latest publication – a short book about the Wellman film, packed with anecdotes and information. Beggars of Life: A Companion to the 1928 Film is a quick, satisfying read, illustrated with promotional material, posters and stills as well as press clippings. In these pages, Gladysz takes us through the making and the reception of the film and clears up a few mysteries too.
The film, which you may have been lucky enough to see accompanied by a live score from the fabulous Dodge Brothers, features Brooks as an orphan fugitive, dressed as a boy and riding the rails with a handsome tramp played by Richard Arlen and a gang of his peers, including the the menacing Oklahoma Red, played by Wallace Beery. It’s adapted from a famous book by “hobo author” Jim Tully, and although it was a little sanitised by Hollywood, it’s still a remarkably raw, realist film. Not least of its strengths is that Brooks here gives an excellent performance as a survivor of sexual abuse, as she would in her two Pabst films, drawing perhaps on her own experiences as a child.