Hamlet (1921) screens at the BFI Southbank twice this week as part of the season, In the Eyes of a Silent Star: The Films of Asta Nielsen. It’s a must-see, although I would say that. You can see the film on Wednesday at 6.15pm with musical accompaniment by Cyrus Gabrysch and on Saturday at 5pm with music by Meg Morley and an introduction by Professor Judith Buchanan.
Hamlet is a woman! At least she is in this German feature film, Hamlet: A Drama of Vengeance (1921). And not just any woman, but the inimitable Danish diva Asta Nielsen.
From Sarah Siddons to Maxine Peake, many actresses have played the Prince of Denmark, and a fragment of Sarah Bernhardt’s stage interpretation of the role was even captured in a short film shown at the Paris Exposition in 1900. However, the distaff twist in this film was prompted, or at least justified, by Edward P Vining’s scholarly 1881 book The Mystery of Hamlet: An Attempt to Solve an Old Problem, which makes the case for Prince Hamlet being so feminine a character that his contradictory nature is best explained by imagining that underneath the black tunic he’s really a woman. The film also draws on Danish history and a German play from 1704 called Fratricide Punished. The gender-swap allows for an intriguing new take on Shakespeare’s text, recasting his hero/heroine’s relationships with Ophelia, Horatio and Gertrude in fresh moulds.
Continue reading Hamlet (1921) at BFI Southbank: Shakespeare’s sister
How is that for an alliterative headline?
I was just finishing my last post (on Bait – go see it), when this very exciting news came in. The 2019 London Film Festival Archive Special Presentation will be the lost Betty Balfour film that was discovered in the Netherlands a few years ago: Love, Life and Laughter (George Pearson, 1923). Continue reading Breaking Betty Balfour news: Love, Life and Laughter (1923) at the LFF
Psst … this just in from the whisper network. There’s a new silent movie venue in town and it’s strictly underground.
I mean, it’s literally underground: underneath a candlelit garden, at the entrance to one of the capital’s engineering masterpieces – the Thames Tunnel. Cocktail experts Midnight Apothecary have founded a night called the Down the Shaft Film Club to screen classics in this unique space. Hey, the name may not be elegant, but you get the drift.
For two nights in May Down the Shaft will be showing classic silent movies with – crucially – live music, courtesy Meg Morley (2 May) and Neil Brand (16 May). The movies? Deathless comedies from Messrs Chaplin, Laurel and Hardy. Are you down?
Oh yes, and there will be fancy booze too, naturally. Here’s the blurb:
For your delectation we present Charlie Chaplin’s ‘Easy Street’ and Laurel & Hardy’s ‘Big Business’ and ‘Liberty’. They will be accompanied on grand piano by the virtuoso talents of the UK’s leading silent film piano accompanists Meg Morley (2 May) and Neil Brand (16 May) in the Victorian underground Grand Entrance Hall to Brunel’s Thames Tunnel at the Brunel Museum.
This is one of London’s secret and most unusual underground venues to enjoy classic silent cinema. This historic venue is directly below our hidden candlelit garden where you will be able to toast marshmallows around the firepit and sample a hot toddy, delicious street food or one of our award-winning botanical cocktails made from ingredients grown in the garden or foraged close by. We also have rather wonderful beer from local Bermondsey brewers Hiver and Anspach & Hobday and gin from award-winning Bermondsey distiller Jensen.
See you at the movies!