This week, I had the honour of delivering the Philip French Memorial Lecture at the Cinema Rediscovered festival in Bristol. Due to the strange times that we are living in, the lecture was livestreamed as well as being held in person at the Watershed Cinema.
My task for the lecture was to talk about the role of critics in reframing film heritage. I spoke a little about Silent London, and also about Musidora, why cinema is like a tree and what I like to call “young cinema”.
Continue reading Young cinema
Please excuse typos in this blogpost. I am writing this in a mixture of mental fog and nervous excitement. Yesterday I had my second dose of my Covid-19 vaccination, and the ‘Moderna flu’ is real but suddenly the future seems a little bit brighter. So I thought I would pop on here to remind you of some upcoming silent-film-related events that you can attend in person or online, making your summer a wee bit more joyous and more silent.
Silent Sirens! More on this on the site later this week, but Stephen Horne’s debut album is released on Friday. I am listening to some extracts as I type this and it’s really beautiful. Pre-order now.
Continue reading Silent summer: some dates for your diary
I should say this through gritted teeth, but Bristol is rapidly becoming Britain’s most cinematic city. Designated a UNESCO City of Film in 2017, its reputation for great cinema screenings and heritage is growing and growing. One of the newest, shiniest gems in its movie crown is Cinema Rediscovered, a kind of West-Country offspring of Bologna’s Il Cinema Ritrovato, which takes place every July at venues including the Watershed cinema in the city centre.
Disclaimer time: First, I am working with this festival again this year, and second, it’s not all silent. But genuinely, it’s one of the most exciting and ambitious archive cinema events in the country. Taking place from 25-28 July, Cinema Rediscovered will screen films ranging from the earliest experiments of Victorian cinema to a new 4K restoration of Chan-wook Park’s classic revenge thriller Oldboy (2003).
Other restorations on show include the landmark documentary Hoop Dreams (1989) and Márta Mészáros’ 1975 Berlinale Golden Bear winner Adoption (1975). There are strands devoted to the extraordinary films of legendary British director Nicolas Roeg, as well as to Nigerian director Moustapha Alassane and to feminist filmmaker Maureen Blackwood, who was the first black British woman to have a feature film theatrically released in the UK, The Passion of Remembrance (1986). Cinema heritage doesn’t always look like a pantheon of dead white men. Continue reading Back to Bristol: Cinema Rediscovered 2019
This post is a version of an introductory talk I gave at the Cinema Rediscovered festival in Bristol this year. The next Cinema Rediscovered festival will take place 25-28 July 2019.
This film, My 20th Century (1989), is a very special and intriguing piece. For my money, it is the perfect film to see at this festival. It may be only 29 years old, so it barely qualifies as vintage, but it is not shown as much as it should be – so it is ripe to be rediscovered. And it has as much in common with the cinema of a hundred or more years ago as it does with modern work, so it sits well in a festival devoted to film history.
It’s a fact, also, that Ildiko Enyedi fits perfectly with the name of this strand of the festival: Women on the Periphery. Hungarian director Enyedi was born in 1955 and has forged a thoroughly independent career. She studied philosophy at university, but quit because she considered the course to be badly taught. Then she went to the Budapest Film Academy and managed to complete the course, despite considering leaving because she felt that “some of those in power were lazy thinkers”. She became a visual artist and joined the Bela Belazs studio in Budapest 1979 – this is the place that produced works by such Hungarian notables as Béla Tarr. Enyedi made several short films, but My Twentieth Century was her first feature, and it won the Camera d’Or at the 1989 Cannes Film Festival, the prize for the best debut feature showing in competition.
In the intervening decades, Enyedi has made five more feature films, including On Body and Soul, her acclaimed 2017 film that is still available to stream on Mubi. That was her first feature film in 17 years, though, during which time she has also been teaching and working as a TV director. Continue reading My 20th Century: Ildiko Enyedi makes the familiar seem new again