Charlie Chaplin and Buster Keaton – the Beatles and the Rolling Stones of silent comedy. They say you have to pick one to love, but there is nothing to stop you admiring both. If you’re a Keaton devotee, though, you may have watched the progress of the Cineteca di Bologna’s Chaplin Project with green eyes. Though of course your expression will have been too deadpan to reveal your true feelings.
Over several years and many gala screenings, the Cineteca and the L’Immagine Ritrovata lab, working in collaboration with archives, labs and historians across the world, restored all of Chaplin’s works to the utmost technical standards. You can see the results of these labours in releases such as the recent Chaplin Mutuals Blu-ray, which really is worth adding to your Christmas list. Now it’s Buster’s turn. Using material from the Cohen Film Collection, the Keaton Project will set about buffing and shining all the silent shorts and features made by the Great Stoneface. It’s a mammoth task for the ladies and gents in the lab, but a massive treat for those of us who get to watch the finished films.
Another podcast, and this time it’s all about the laughs in our comedy special. I’m joined in the studio by Phil Concannon of Philonfilm.net, Ayse Behçet, who writes the Charlie’s London series for Silent London, and podcast expert Pete Baran. Plus Chris Edwards of the wonderful Silent Volume blog also contributes a few well-chosen words on his favourite silent film: Exit Smiling, starring Beatrice Lillie.
We’ll be talking about our favourite silent comedies, and yours, and perhaps touching on a few films and film-makers you won’t expect. Plus we’ll be reviewing some recent silent film screenings, Ayse will be reporting back from the Cinema Ritrovato festival in Bologna and we’ll be taking a look at the calendar too.
There’s also a lot of business about trousers. And possibly the odd 90-year-old spoiler.