They say the world is divided between night owls and early-rising larks. Here at the Giornate, we split in two similar camps: are you up and at ’em first thing for Felix the Cat, who opens each day of the festival, or up all night with curtain-closer Koko the Clown? Your humble correspondent, it seems, is very much a cat person.
And by lunchtime today I was longing for the narrative simplicity of our lovable early morning Felix cartoon (Felix Loses Out, 1924). There was much to enjoy in the morning screenings, but either my mind was especially feeble or the plotting in some of the comedies was needlessly complex. First up, we had a Czech Anny Ondra double-bill. Chytÿte ho! (1925) was a romp and a half – Ondra plays a young lady whose guardian was a chronic gambler. There is a charming but dissolute artist, a gang of robbers and all kinds of shenanigans involving a stolen dowry. Ondra is all impish charm when in front of the camera, but most of the running time was taken up by male lead Karel Lamac undertaking a series of increasingly inventive comic stunts – the only shame was that the execution fell short of the imagination. Still lively stuff, and for me, preferable to the following film, Dáma S Malou Nozkou (The Lady with the Small Foot, 1920). A couple of amateur sleuths, one wily, one scrappy and dwarfish, attempt to recover a case of stolen money. It’s a strange film, made stranger by a missing length of film that renders one subplot barely intelligible. Strange too, in that it resists the expected narrative resolution. As it says in an intertitle, it’s a “comical piece about a detective, who discovered nothing, but found his true love”. Anny Ondra appears briefly as a young lady who has feet that are small, shapely and completely irrelevant to the plot. Anny, meet the “MacGuffin”, your friend Alfred will tell you more later …
I had little time for Polis Paulus Paskasmäll (The Smugglers, 1925) in the Swedish strand, though others heartily enjoyed it. Its stars were a famous comic duo in Denmark, though as far as I could tell their humour was based on the fact that one was shorter and fatter than the other, who in turn had a ridiculous moustache. Bucketloads of plot here, too, as love affairs, criminal schemes and old rivalries cause havoc among the residents and staff of a ski hotel. There was some excellent slapstick here (a sequence in which the taller comedian dressed himself in a bearskin rub, notably) but though you may call me shallow for it, my favourite thing in this film was leading lady Lili Lani’s chic winter wardrobe.
Competition time again, Silent Londoners, and this time I am giving away tickets for a night of silent film and live music at one of our favourite venues, Hackney Attic. The lucky winner can look forward to an uproarious evening, featuring Buster Keaton, Charlie Chaplin, Laurel & Hardy (in their first film together) and even Felix the Cat – plus a surprise! This latest event in the Filmphonics series has been put on by the silent film fanatics at the Lucky Dog Picturehouse. Here’s what they have to say about it:
The Lucky Dog Picturehouse specialise in providing an authentic 1920’s silent film experience, with live piano soundtrack. Collecting together 5 of the best silent film shorts ever made by some of the world’s greatest silent stars. Buster Keaton attempts to build his new flat-pack home in the stunt-filled ‘One Week’. You’ll find a love-lorn Charlie Chaplin in ‘The Pawn Shop’. Laurel & Hardy team up for the first time ever in ‘The Lucky Dog’ (featuring a dog to rival Uggie from The Artist). To balance the dog ‘Felix the Cat’ makes a madcap appearance. And the final film is “TBC” but it might involve a certain “Trip to the Moon”. All of the films will be scored by live keyboard accompaniment. Just as they were supposed to be seen.
To win a pair of tickets to the Lucky Dog Picturehouse night, simply email the answer to this simple question to email@example.com with Lucky Dog in the subject header by noon on Friday 17 May 2013.
In which British town was Stan Laurel born?
The Lucky Dog Picturehouse night at Hackney Attic is on Sunday 19 May at 7.30pm. Tickets start at 7pm for members (with £2 off if you book for The Great Gatsby the same day). Click here to book and for more information.