Tag Archives: Beggars of Life

Beggars of Life: a Companion to the 1928 Film review – behind the scenes of a silent classic

Nobody knows more about Louise Brooks than Thomas Gladysz. Having founded the Louise Brooks Society in 1995, he has spent more than two decades researching her life and work, curating memorabilia and writing about this most fascinating of silent era actresses. A few years back he published a sumptuous illustrated edition of the novel that Brooks’s second German film, Diary of a Lost Girl (G. W. Pabst, 1929) was based on, and he has contributed audio commentaries to American DVDs of that film, and her finest Hollywood movie, Beggars of Life (William Wellman, 1928).

Which brings us up to date with Gladysz’s latest publication – a short book about the Wellman film, packed with anecdotes and information. Beggars of Life: A Companion to the 1928 Film is a quick, satisfying read, illustrated with promotional material, posters and stills as well as press clippings. In these pages, Gladysz takes us through the making and the reception of the film and clears up a few mysteries too.

Beggars of Life (1928)
Beggars of Life (1928)

The film, which you may have been lucky enough to see accompanied by a live score from the fabulous Dodge Brothers, features Brooks as an orphan fugitive, dressed as a boy and riding the rails with a handsome tramp played by Richard Arlen and a gang of his peers, including the the menacing Oklahoma Red, played by Wallace Beery. It’s adapted from a famous book by “hobo author” Jim Tully, and although it was a little sanitised by Hollywood, it’s still a remarkably raw, realist film. Not least of its strengths is that Brooks here gives an excellent performance as a survivor of sexual abuse, as she would in her two Pabst films, drawing perhaps on her own experiences as a child.

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Mark Kermode on silent cinema

Mark Kermode’s passion for the silent film and live music scene, expressed here in a video interview with the utterly brilliant New Empress team, is always heartening. I wish he would talk about a wider selection of movies though. Keep up to date with when Mark’s band the Dodge Brothers are accompanying silent films on their website here.

You can watch Mark talking some more about silents here, from the Kermode Uncut video blog in 2009:

And here he is at the Cinema Museum talking about silent movie accompaniment with Neil Brand:

Le Giornate del Cinema Muto 2013: Pordenone post No 2

Chytÿte ho! (Lupicÿ nesÿika)
Chytÿte ho! (Lupicÿ nesÿika)

They say the world is divided between night owls and early-rising larks. Here at the Giornate, we split in two similar camps: are you up and at ’em first thing for Felix the Cat, who opens each day of the festival, or up all night with curtain-closer Koko the Clown? Your humble correspondent, it seems, is very much a cat person.

And by lunchtime today I was longing for the narrative simplicity of our lovable early morning Felix cartoon (Felix Loses Out, 1924). There was much to enjoy in the morning screenings, but either my mind was especially feeble or the plotting in some of the comedies was needlessly complex. First up, we had a Czech  Anny Ondra double-bill. Chytÿte ho! (1925) was a romp and a half – Ondra plays a young lady whose guardian was a chronic gambler. There is a charming but dissolute artist, a gang of robbers and all kinds of shenanigans involving a stolen dowry. Ondra is all impish charm when in front of the camera, but most of the running time was taken up by male lead Karel Lamac undertaking a series of increasingly inventive comic stunts – the only shame was that the execution fell short of the imagination. Still lively stuff, and for me, preferable to the following film, Dáma S Malou Nozkou (The Lady with the Small Foot, 1920). A couple of amateur sleuths, one wily, one scrappy and dwarfish, attempt to recover a case of stolen money. It’s a strange film, made stranger by a missing length of film that renders one subplot barely intelligible. Strange too, in that it resists the expected narrative resolution. As it says in an intertitle, it’s a “comical piece about a detective, who discovered nothing, but found his true love”. Anny Ondra appears briefly as a young lady who has feet that are small, shapely and completely irrelevant to the plot. Anny, meet the “MacGuffin”, your friend Alfred will tell you more later …

Polis Paulus' påskasmäll (1925) Filmografinr: 1925/11
Polis Paulus’ påskasmäll (1925) Filmografinr: 1925/11

I had little time for Polis Paulus Paskasmäll (The Smugglers, 1925) in the Swedish strand, though others heartily enjoyed it. Its stars were a famous comic duo in Denmark, though as far as I could tell their humour was based on the fact that one was shorter and fatter than the other, who in turn had a ridiculous moustache. Bucketloads of plot here, too, as love affairs, criminal schemes and old rivalries cause havoc among the residents and staff of a ski hotel. There was some excellent slapstick here (a sequence in which the taller comedian dressed himself in a bearskin rub, notably) but though you may call me shallow for it, my favourite thing in this film was leading lady Lili Lani’s chic winter wardrobe.

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