I have been talking to you about London Symphony, the modern City Symphony film, for a while now, but finally it’s time for you to see it. Or at least book a ticket to see it. yes, London Symphony is coming to a cinema near you, even if you don’t live in the capital. Details of the tour as it stands now are copied below, but I recommend you keep an eye on this page for up-to-date information from the horse’s mouth.
You’ll see that some of the screenings have live music, are followed by a Q&A or take place in a venue that appears in the film – or all three! The screening at Southwark Cathedral, I’m told, will take place by candlelight. You don’t get that kind of atmosphere with Dunkirk …
Meanwhile, don’t miss Kim Newman’s review of the film in this month’s Sight & Sound, which although it completely neglects to mention my own appearance in the film (yes, really) rightly praises its “seductive parade of striking images and juxtapositions”.
Do you remember London Symphony? It’s a project this site has long been excited about. You may even have backed it on Kickstarter, or like me, even appeared in it. The film is directed by Alex Barratt and it’s a sumptuous new city symphony for the capital – an entirely silent movie that swoops around more than 300 locations in London to the tune of a newly composed musical score by James McWilliam. And finally, you’re going to get the chance to see it.
London Symphony will have a ’boutique’ theatrical release, with a screening at the Barbican on 3 September 2017, accompanied by the Orchestra of St Paul’s playing McWilliam’s score live. You can book tickets here.
There will be further UK screenings after the Barbican event, which will be announced shortly, and the film will be distributed internationally by Flicker Alley.
LONDON SYMPHONYis a contemporary take on the ‘city symphony’, a genre of creative non-fiction that flourished in the 1920s and consisted of works that attempted to build poetic portraits of city life. As well as serving as a form of virtual tourism, city symphonies raise important and universal questions about the nature of community life – questions that have become vital within the current political climate.LONDON SYMPHONY’S September release will coincide with the 90th anniversary of Walter Ruttmann’s BERLIN, SYMPHONY OF A GREAT CITY, one of the most important examples of the original city symphonies. Ruttmann was one of the great pioneers of experimental film, and Barrett and McWilliam have worked hard to bring a similar sense of poetic playfulness to LONDON SYMPHONY, while also updating the form for the 21st Century.
The project’s September release will be launched with a special screening at the Barbican Centre, the home of silent cinema in London, where it will be presented with the live premiere of McWilliam’s musical composition, as performed by OSP (the Orchestra of St Paul’s) and their conductor Ben Palmer. Says Palmer: “It’s always a thrill to bring a new piece to life, but this promises to be an unusually interesting collaboration for OSP. We’re very excited to be premiering James McWilliam’s fantastic music forLONDON SYMPHONY, especially at the iconic Barbican Centre”.
The screening will be followed by a panel discussion featuring Barrett, McWilliam, Palmer and London history specialist Mark Rowland, chairman of Footprints of London. It will also mark the opening of the Barbican’s autumn ‘Silent Film and Live Music’ series. Tickets can now be purchased here: https://www.barbican.org.uk/film/event-detail.asp?id=21462.
After this special launch event, LONDON SYMPHONY willtour around a number of carefully selected venues throughout the UK, including conventional cinema spaces and alternative spaces such as a Parish Church and a Buddhist Meditation Centre. “In many ways,” says Barrett, “LONDON SYMPHONY is a community project, and we hope to bring it directly into those communities during our release”.
Trust me, I have never been ready for my close-up. But when I backed the new silent film project London Symphony, I recklessly ticked the box to say that yes, I’d be in the movie. I envisaged the back of my head in a crowd, perhaps. Something nice and anonymous.
But cometh the hour, cometh the poseur, and today I spent an hour or so shooting a snippet of a scene for London Symphony. Or sitting mostly still and doing what I was told while trying not to get the giggles. Here’s what I learned from my experiences on a silent movie “set”:
There’s a reason those silent-era directors had megaphones. We were filming on the Victoria line (yes, we had permission) and while no doubt director Alex Barrett was talking me through my big scene, I could barely hear a word he said.
There are a lot of angles to cover – two cameras, shooting front-on, overhead, from a distance, crammed next to my cheek … The London Symphony crew were using handheld digital cameras, of course, I can’t imagine how this would play out with a wooden-boxed hand-cranked job.
I didn’t realise how much structure dialogue gives to a scene. I’m not an actor, so of course I was going to feel a little self-conscious being photographed by those moving picture contraptions. But without anything to say, I really felt a little untethered. Anything could happen! Luckily Adam Hickey, the actor I was working with, was actually an actor and very professional.
Londoners are not in the least bit fazed by seeing people filming and playacting on the tube. We caused not a ruffle. Though Alex did tell me that amateur photographers often approach him in the street to chat about the gear. Mmmm, lenses.
“In the early days of the cinema, there were several great City Symphonies – for Berlin, Paris, Rotterdam, but never for London. Alex Barrett is going to put that right, and his plans suggest a remarkable picture.” – Kevin Brownlow
A few months back, I promised you the chance to support the making of a new London City Symphony. Now the day has arrived, as the London Symphony team have launched their crowdfunding campaign. They need the help of Silent Londoners to turn their vision into a reality. They’re asking for your financial support, and offering you some chances to be involved in the making of the film too. If you can’t afford to help out yourself, they’d love you to spread the word about the project.
Alex Barrett, the film’s director (and Silent London contributor) explains why he wants to revive the City Symphony style for his new film: “We believe that by looking at the present through recourse to the past, we can learn something new about life today,” he says. “We won’t be parodying the style. We will be true to the spirit of the filmmakers that came before us, and we hope to capture the rhythm, the motion and the experimentation that made their films so wonderful, while simultaneously reimagining the City Symphony for the 21st Century”.
LONDON SYMPHONY is a poetic journey through the city of London, exploring its vast diversity of culture, religion and design via its various modes of transportation. It is both a cultural snapshot and a creative record of London as it stands today. The point is not only to immortalise the city, but also to celebrate its community and diversity.
Alongside making the film, the team will also be creating a new score – an original symphony – written by composer James McWilliam. Says James: “Music plays an important role in silent cinema, and our score will help take viewers on a journey through modern-day London”. The filmmakers plan to record the music with a live orchestra, but also have it performed live at special event screenings of the finished film. LONDON SYMPHONY reunites the team behind the short film HUNGERFORD: SYMPHONY OF A LONDON BRIDGE. A three-minute city symphony in its own right, the short film now serves as a pilot for the team’s intentions with the feature-length LONDON SYMPHONY.