Bonjour! Just a quick note to say that the Kickstarter campaign to raise funds for restoring Georges Méliès’s dilapidated grave in Paris’s Père Lachaise cemetery goes live today. I wrote about this campaign, which was launched by the film pioneer’s descendants, in the Guardian last week.
The crowdfunding campaign launches today on 26 March 2019 and will run until 18 April 2019.
Not all of Silent London’s best-loved festivals are devoted solely to pre-sound film. A longstanding favourite here at Silent London HQ is the wonderfully glamorous Fashion in Film Festival. This event’s focus on cinematic design and unforgettable visuals, plus its enthusiasm for digging into the archives, means that silents often feature, of course, but it is always a wide-roaming affair. And this festival is a beautiful thing, a jewel in the London repertory film calendar.
This year, the Fashion in Film Festival will take place in London venues from 19-26 March. The full programme has not been unleashed yet, but I do have reason to believe a silent or to may be on the cards. I’m posting today because the Fashion in Film Festival is asking for a little help this year. The organisers have launched a Kickstarter to raise £5,000 before the event begins. If you support them, rewards range from designer knick-knacks such as an Eley Kishimoto tote bag, a copy of the fantastic Birds of Paradise book and tickets and passes for the festival itself. Hurry, the festival passes are running out!
Here’s what the festival team have to say:
The festival celebrates our last ten years and EVERYONE who has been involved in making it a success, contributing or holding our hand. We have lined up an ambitious programme, co-curated with the wonderful Tom Gunning, including an exhibition and some 28 events, with fantastic speakers and some true archival gems we think everyone must see. But some of this is in danger due to a dire funding landscape in the UK. It has been a really tough year!
And here’s a taste of this year’s programme:
Our programme features cinema’s well-loved as well as neglected masterpieces (Parajanov’s The Color of Pomegranates, Ophuls’ Lola Montes, Hitchcock’s Vertigo, Leisen’s Lady in the Dark, Protazanov’s Aelita), artist films (by Joseph Cornell, Jane and Louise Wilson, Cindy Sherman, Michelle Handelman, Jessica Mitrani), fashion films (by Nick Knight and Lernert & Sander), industry films and many archival gems. There will be talks, film introductions and panel discussions. As special highlights we are staging two film-based performances – with Rachel Owen (at Genesis Cinema) and with MUBI and Lobster Films (at the Barbican).
If you can spare a little money for the festival, I am sure it will be hugely appreciated. Just think of it as paying for your ticket in advance. I did!
This is a topic close to my heart, and hopefully yours too. After a successful campaign to produce the handsome Pioneers of African-American Cinema box set, Kino Lorber are back on Kickstarter with another project that makes film history a bigger, more inclusive, and more representative space. This time, Kino Lorber is coming for the women, with a set called Pioneers: First Women Filmmakers.
Here at Silent London we are big, BIG, fans of the Slapstick Festival in Bristol. It is a friendly, wide-ranging event, run by beautiful people, in a great city – and it always tickles our funnybone.
If you’ve ever been lucky enugh to attend you’ll know that it is a pretty special special festival, which doesn’t cut corners. Top-quality prints are shown accompanied by first-rate musicians and introduced by people who are experts or celebrities – or sometimes both.
And that’s not easy in these tricky times, so this year the Slapstickers are asking for a little help, from you. The Slapstick festival crew have launched a Kickstarter appeal to cover some of their costs, and they would love it if you could support them. The money will go to very good causes including more live music and affordable tickets for kiddies. As it’s a Kickstarter your assistance will be rewarded by some fabulous gifts, from kazoos to custard pies to the chance to meet a VIP – even Morph himself!
As for the more tradtional way of showing your support, tickets are now on sale for the festival gala, which will feature Chaplin’s wonderful The Kid among other treats.
I reported on one Buster Keaton restoration project in the summer – and now there is another one. This one comes to us courtesy of the fabulous Lobster Films in Paris, and proves that there is more than one way to skin a cat.
This project has both a narrower and a wider focus – the aim is to complete restorations of Buster’s short films only, but the list runs to 32 and includes those that he made with Roscoe Arbuckle, such as his movie debut, The Butcher’s Boy (1917). And Lobster will be taking elements from archives and collections around the world, to get the best possible result. Not only that, the team will be commissioning new scores for all the films that they work on.
Here’s an extract from the polished version of The Playhouse (1920), to show you what is planned:
Have you ever heard that phrase “pale, male and stale”? I don’t really like it myself, but it has its uses. It’s how us hardbitten hacks like to oh-so cynically refer to the Establishment with a capital E – the Etonians in our cabinet, the stuffy old geezers at the top of our legal system, the posh “luvvies” winning all the big arts prizes. It’s not that we don’t like old white men, it’s just that the world is bigger than that, right?
So, we want the people who represent, protect and entertain us today to reflect our own diversity – that’s a no-brainer. Sometimes it seems as if there is a long way to go, but we shouldn’t “whitewash” history either. There are a whole range of factors at play here, but the simple fact is that it’s too easy to forget to contribution made by women, people of colour and other minorities to our cultural past. Picture a silent movie set, and you’d be forgiven for visualising a sea of white faces, and a chap in riding trousers calling the shots. But the truth is more complicated, and more exciting, than that.
A new venture from Kino Lorber is intended to push that “pale, male and stale” image right out of our minds. The American label is collating a box set of movies from the earliest African-American film-makers – from Oscar Micheaux to Maria P Williams. If you didn’t know there were any – well, that’s understandable, but now you know that there were, you should be intrigued. And if you are intrigued, or if you are punching the air and shouting “Finally!”, there’s good and bad news to come.
Well, this looks like an interesting investment. Andrew Smith, one of the brains behind the critically acclaimed Gerry Anderson documentary Filmed in Supermarionation, wants to make a new documentary about a less well-known era of animation – the silent years. He has turned to Kickstarter to fund his film, so if you like his idea, you can back Cartoon Carnival yourself. For those who pledge £1 or more, Smith is promising “a virtual hug”. Some of the other rewards are even more enticing!
To many, the history of American animated cartoons begins with the story of Walt Disney and Mickey Mouse. Before the mouse, however, Disney was simply one of many who attempted to make their name in animated cartoons. From the earliest experiments with moving drawings, to the technical and artistic triumphs that arrived just prior to the introduction to synchronized sound, men like Winsor McCay, John R. Bray, and Max Fleischer pushed to make each cartoon better than the last. To our mind, their names deserve to be as venerated as their counterparts in the live-action film industry.
Beyond their historic significance, it it worth stressing that many of the animated films produced during the silent period are wildly entertaining and often down right weird and wonderful. In the days before film censorship or the misconception that cartoons were only for children, anything went. The result is a valuable canon of films which firmly reflects American society of the time.
“In the early days of the cinema, there were several great City Symphonies – for Berlin, Paris, Rotterdam, but never for London. Alex Barrett is going to put that right, and his plans suggest a remarkable picture.” – Kevin Brownlow
A few months back, I promised you the chance to support the making of a new London City Symphony. Now the day has arrived, as the London Symphony team have launched their crowdfunding campaign. They need the help of Silent Londoners to turn their vision into a reality. They’re asking for your financial support, and offering you some chances to be involved in the making of the film too. If you can’t afford to help out yourself, they’d love you to spread the word about the project.
Alex Barrett, the film’s director (and Silent London contributor) explains why he wants to revive the City Symphony style for his new film: “We believe that by looking at the present through recourse to the past, we can learn something new about life today,” he says. “We won’t be parodying the style. We will be true to the spirit of the filmmakers that came before us, and we hope to capture the rhythm, the motion and the experimentation that made their films so wonderful, while simultaneously reimagining the City Symphony for the 21st Century”.
LONDON SYMPHONY is a poetic journey through the city of London, exploring its vast diversity of culture, religion and design via its various modes of transportation. It is both a cultural snapshot and a creative record of London as it stands today. The point is not only to immortalise the city, but also to celebrate its community and diversity.
Alongside making the film, the team will also be creating a new score – an original symphony – written by composer James McWilliam. Says James: “Music plays an important role in silent cinema, and our score will help take viewers on a journey through modern-day London”. The filmmakers plan to record the music with a live orchestra, but also have it performed live at special event screenings of the finished film. LONDON SYMPHONY reunites the team behind the short film HUNGERFORD: SYMPHONY OF A LONDON BRIDGE. A three-minute city symphony in its own right, the short film now serves as a pilot for the team’s intentions with the feature-length LONDON SYMPHONY.
This beautiful short, Hungerford: Symphony of a London Bridge, is a mini city symphony directed by Alex Barrett in 2010. It has won several awards, appeared at many festivals, and here at Silent London we have long admired it. Barrett, a writer, film-maker and regular Silent London contributor, has a more ambitious project in the works, though: London Symphony, a feature-length silent film about our fair capital. Barrett is a huge admirer of European silent cinema, and the city symphonies of the 1920s avant-garde. He plans to start shooting London Symphony later this year. Here’s how he describes the project:
London Symphony is a poetic journey through the city of London, exploring its vast diversity of culture and religion via its various modes of transportation. It is both a cultural snapshot and a creative record of London as it stands today. The point is not only to immortalise the city, but also to celebrate its community and diversity.
He’ll be asking for your help though – Barrett and his team want to crowdfund their movie, and you’ll be hearing more about that in the summer on these very pages.
You have probably noticed that Sight & Sound magazine features a regular column called Primal Screen, devoted to “The world of silent cinema”. This is undoubtedly a Good Thing, although it doesn’t appear online, which in some ways, is a Bad Thing. With absolutely no respect for this position, when I was asked to write the Primal Screen column in the January 2013 edition of Sight & Sound, I devoted my wordcount to the relationship between early cinema and the web.
Hyperlinks don’t work on the printed page, or even on the digital version of the magazine, so I thought I would help out by posting some of the links to the sites I mention in the piece here, on Silent London. In fact, Silent London is one of the sites I mention, but you already have that one bookmarked, right?
I can’t possibly list all of the silent cinema Tumblr and Pinterest sites out there, but I am particularly fond of Silent Intertitles, and, well Fuck Yeah Buster Keaton is an excellent example of a fan site.
Nitrateville is a fabulous forum full of wise people whose enthusiasm for silent film knows no bounds.
You all know The Bioscope I am sure, which has closed down but is still addictively browsable.
Do buy the magazine, there’s lots of silent cinema in it this month, from Neil Brand on Beggars of Life, to Nick Pinkerton on Fritz Lang, and even myself popping up again to talk about the Battleship Potemkin/Drifters box set.