The final day of the Giornate, for indeed this was the final day of the Giornate, was a lot like the Ryder Cup. Confused? Well bear with me as I unpack this extremely rare sporting analogy. It was a case of Europe vs the United States, with the home continent playing the first half of the day and Hollywood taking over just as the sun was about to set.
Continue reading Le Giornate del Cinema Muto 2023: Pordenone Post No 8Category Archives: Festival
Le Giornate del Cinema Muto 2023: Pordenone Post No 7
You don’t have to be superstitious to notice when the date is Friday the 13th, and conduct yourself cautiously as a result. And of course I am not superstitious – unless you count the fact that I am convinced I willed this evening’s gala into existence by the power of my mind. But that’s a story for later on…
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Le Giornate del Cinema Muto 2023: Pordenone Post No 6
Good vibes only at the Giornate on this sunny Thursday. All of us who made it to the extra-early morning serial knew that we had got out of bed on the right side as soon as we realised that this episode of Le P’tit Parigot might have been called La P’tite Parisienne. Yes, it was young Bouboule’s time to shine, as she raced to the rescue of Biscot in a very fetching Delaunay pinafore, and explained her actions in a nifty flashback while the two of them filed through his prison bars. The episode took a turn for the torrid towards the end, but otherwise oh what a joy.
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Le Giornate del Cinema Muto 2023: Pordenone Post No 5
Pordenone changes a person. I don’t just mean in the way that my bloodstream is now 80% espresso. It changes your aspirations. My dream now is to live in an apartment designed by Sonia Delaunay, watching Peter Elfelt’s dance films (they are playing before several of the screenings) all day. For loungewear, I would choose the louche shawl-collared robe sported by Jaque Catelain in Le Vertige, and if I ever left the flat, I would wear the stunning geometric coat and hat sported by Madame Gilberte in Le P’tit Parigot. I’d take the vintage Bugatti too, please.
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Le Giornate del Cinema Muto 2023: Pordenone Post No 4
We’re at the halfway mark, and let me be abundantly clear: I’m not ready to go home yet. But should you be homesick, there was more than a taste of London in the Verdi today, with Walter Forde’s chase comedy Would You Believe It? (1929) for starters, and even Harry Piel or rather Harry Peel transported us to the Big Smoke for his Rivalen (1923). More of which anon.
More authentically, Jacques Haïk’s Se London!, filmed in the summer of 1927, gave us the view from the streets, whisking us from Hyde Park to Whitechapel in dashing style. I was lucky enough to write about this one for the catalogue, so I was cockahoop to see it on the big screen, with London’s own John Sweeney bringing out the spirit and style of this characterful travelogue. Especially, in the really beautifully photographed Tower Bridge sequence – a real highlight of this film.
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Le Giornate del Cinema Muto 2023: Pordenone Post No 3
As Erich Von Stroheim never ever once said: I’ll keep this fairly brief. That’s partly because I was a little distracted today by matters literary, only some of which is relevant to this dispatch.
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Le Giornate del Cinema Muto 2023: Pordenone Post No 2
Pordenone eh? It’s like Christmas for silent film fans. Quite literally tonight at the breathtaking conclusion of tonight’s headline film. The title was Hell’s Heroes, and we were watching the silent version of William Wyler’s 1929 sound adaptation of the story better known as Three Godfathers.
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Le Giornate del Cinema Muto 2023: Pordenone Post No 1
Watch your step, Pordenauts. Leaving the Verdi after the first afternoon of screenings at this sun-soaked Giornate, I almost walked into the path of the Pordenone Pnthlon relay race. A timely reminder that this festival of silent cinema is a marathon not a sprint, so get set, but don’t tear off too fast, we have eight days ahead of us.
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Pordenone season
Fall vibes. It’s giving pumpkin spice lattes, mellow fruitfulness, Luke Danes in a flannel shirt and the scent of a freshly sharpened pencil. This autumnal atmosphere can only mean one thing. Pack your bags, gang, we’re going to Pordenone.
The Pordenone Silent Film Festival hasn’t begun yet, it runs 7-14 October, but today the programme was announced, so let’s take a look and enjoy some shivers of anticipation. Shivers? Best put a cardigan on, it’s October.
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Pirmoji Banga 2023: Come up and see Mae sometime
Life is short, people are busy, most of us have no time to waste. Pirmoji Banga, Vilnius’s hip festival of silent and early sound cinema, knows the importance of getting straight to the good stuff. How so? When the festival’s remit covers decades of film history?
In 2023, Pirmoji Banga, directed and curated by Aleksas Gilaitis, concentrated solely on the female contribution to beginning of film, which we all know by now is substantial. This year’s edition of Lithuanian festival Pirmoji Banga screened films starring Asta Nielsen, Mae West, Brigitte Helm and Louise Brooks, directed by Elvira Notari and Lotte Reiniger, and female-led stories such as The Nortull Gang, directed by Per Lindberg in 1923. Beautiful programming.
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Shhh… Chichester International Film Festival celebrates the silents
This August, silent film fans in search of a summer holiday should take trip to sunny West Sussex, and the Chichester International Film Festival. The festival is now in its 31st year, and in 2023 Roger Gibson steps down as Artistic Director and Programmer of the festival, a post he has held for many years. It’s no coincidence that there are a few of his favourite films in the programme, including some of the silent classics.
In fact, there is an especially strong lineup of silent cinema with live music at the festival this year, which runs 4-27 August. The silent film programme comprises Neil Brand’s acclaimed Laurel and Hardy show, John Sweeney playing for Gibson’s choice The Italian Straw Hat, Ben Hall accompanying The Phantom of the Opera on the St John’s Chapel organ, and the Buster Plays Buster show featuring Steamboat Bill, Jr. There’s also a screening of Harold Lloyd’s jaw-dropping stunt comedy Safety Last!.
Here is the full silent lineup, and links for booking tickets, which will be on sale on Friday 21 July.
- 13 & 26 August Safety Last!, New Park Cinema, Chichester – book here.
- 15 August The Italian Straw Hat with John Sweeney, Guildhall, Priory Park, Chichester – book here.
- 16 August Buster Plays Buster, Guildhall, Priory Park, Chichester – book here.
- 22 August Neil Brand Presents Laurel and Hardy, New Park Cinema, Chichester – book here.
- 25 August The Phantom of the Opera, St John’s Chapel, Chichester – book here.
- Explore the full lineup of the 2023 Chichester International Film Festival here, and the Special Events in particular here.
- I am also giving a talk at the festival, on the career of Cate Blanchett, who is the subject of a retrospective strand, and strikes permitting, Roger and I will be leading a Q&A with the actress after a screening of the fabulous Tár. Both of these events are on 21 August.
- Silent London will always be free to all readers. If you enjoy checking in with the site, including reports from silent film festivals, features and reviews, please consider shouting me a coffee on my Ko-Fi page.
Il Cinema Ritrovato 2023: women who worry and men who don’t
Someone just asked me if I were back from Bologna yet. Oops. I have been back home for over a week now, but I haven’t written anything about the festival. So here I am, to tell you what rocked my world at Il Cinema Ritrovato. This year I enjoyed a truly excellent programme, and some even more excellent company. Here are some of my highlights, of the silent variety.
Silent Cinema Rediscovered: Salomé, Together and more in Bristol
Buongiorno! This sultry summer weather is doing its best to convince me that I am still in Bologna when I am closer to Bognor. But there is a cure for the post-Ritrovato comedown in the offing – and this medicine will be available out west, in Bristol, at the end of the month.
This year’s Cinema Rediscovered festival (26-30 July) has released its full lineup, and it is a many-splendoured jewel indeed. Especially if you are interested in the work of women directors: Bette Gordon, Kira Muratova, Chantal Akerman, Mai Zetterling, Sofia Coppola and many more are featured in the programme.
Let us pause, however, to consider the silents.
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Bologna and beyond… Il Cinema Ritrovato 2023
Ciao! Excellent news for fans of sunshine, young cinema and spritzesy. The first announcements for Bologna’s Il Cinema Ritrovato have just been released. You can now read the first details of seasons devoted to such delights as 16mm films, 1903, 1923, Anna Magnani and to directors from Teinosuke Kinugasa to Rouben Mamoulian to Albert Samama Chikli. See you in the Piazza Maggiore!
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Hippfest 2023: the early days
I don’t want you to get the idea I am wanted by the authorities, but I tend to move around a lot. So for the second year in a row, I was only in town for the first half of Hippfest – or the early, funny stuff, as I like to think of it.
I’ve said before that the programming at Hippfest, now in its 13th year, is impressively eclectic. I’d say that with extra emphasis during the midweek portion of the event. Actualities, fantasy, action, adventure, comedy, and a sheepdog smoking a pipe. What is not to love?
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Hippfest hooray: the 2023 programme launches today
Good news, Silent Londoners. Today is the day that Hippodrome Silent Film Festival announces the lineup for its 2023 edition!
As previously reported, the event runs 22-26 March 2023 and this year, there are festival passes available for the dedicated Hippfest die-hards. The best of people, in other words.
As I say, the full lineup goes live today, and you will be able to browse it at your leisure. Below: a few highlights from my little brain.
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Hippfest 2023: passes, podcasts and promises
Save the date, Silent Londoners, The Scottish silent film festival with the warmest welcome in the world is back in 2023.
The Hippodrome Silent Film Festival at Scotland’s oldest purpose-built cinema, the Hippodrome in Bo’ness, will take place Wednesday 22 to Sunday 26 March 2023. The full programme and tickets will be released on Tuesday 7 February. Not too long to wait.
But there’s more news. A development many attendees have long been asking for – a festival pass!
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Funny Valentines: Silent comedy at Slapstick 2023
This February, comedy fans will head west to Bristol, Unesco City of Film for the annual Slapstick Festival. As usual, there is plenty for fans of silent cinema in the programme, with stars from Charley Bowers to Harold Lloyd, Charlie Chaplin to Marlene Dietrich. Presenters include Kevin Brownlow, Steve Massa and Polly Rose, as well as the marvellous Ayşe Behçet, whose Charlie’s London posts you may remember from this very site, back in the day.
The 2023 Slapstick festival runs from 14-19 February this year, and here’s what’s coming up silent in the programme.
WEDNESDAY 15 FEBRUARY
2pm: The Cigarette Girl Of Mosselprom [1924]
Hosted by Lucy Porter
Watershed £8.50/£5.00
Dir: Yuri Zhelyabuzhsky, Soviet Union, 78 mins, cert TBA
In stark contrast to most films made immediately after the Russian Revolution, this is an endearing rom-com filled with likeable characters and some self-effacing insights into the filmmaking process. At the centre of it all is cigarette seller Zina (played by the future Cannes award-winning director Yuliya Solntseva) and the love tangles that surround her when she is talent-spotted to become an actress. With an introduction from stand-up comedian and actor Lucy Porter and live piano accompaniment by John Sweeney.
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Le Giornate del Cinema Muto 2022: Pordenone Post No 8
So the 41st Giornate del Cinema Muto, and my personal 11th, draws to a close with two British silent films. What is that they say about saving the best for last?
I was certainly in Italy this morning, with the Italian drama Profanazione (Eugenio Pergeo, 1924-6) – a tale of adultery, corruption, suspicious, lost pets and automobile accidents. This was spirited drama, if very heavy on the intertitles, with Leda Gys as a woman who strays and yet is more sinned against than sinning. That title translates into English as “defilement”, which gives you a sense of the subject matter, I think, and why censorship delayed the film’s release for so long. Gys is every inch the star, though notably more restrained than the diva mode, and she is the heart of this film that despite its twists and turns, is very much a serious film for grownups.
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Le Giornate del Cinema Muto 2022: Pordenone Post No 7
Day Seven of the festival and the mood on campus is very much “Thank God it’s Friday”. Not because anyone is glad the Giornate is nearly over (perhaps apart from the festival team perhaps who have worked tirelessly to ensure everything has run beautifully, as usual), but because today’s lineup is especially toothsome. More Norma! A Frances Marion-directed feature! And Ivan Mosjoukine and Brigitte Helm smouldering opposite each other! That’s before we even get to tonight’s Ruritanian romp – the 1924 adaptation of the silent era touchstone that is Elinor Glyn’s Three Weeks. Hold on to your string of pearls, we are going all-in.
First, an especially timely effort from Team Talmadge. In Within the Law (Frank Lloyd, 1923), Norma plays a shop girl who fights back. Exploited under capitalism, and imprisoned for a crime she didn’t commit, young Mary finds “going straight is a tough proposition”. Instead she teams up with a pretty blonde cellmate to take revenge on the moneyed male establishment with a breach-of-promise scheme that exploits men, cashes the big and stays strictly “within the law”.
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Silent London 